現年63歲的香港攝影師蘇慶強，在香港中文大學藝術系授課多年，從事攝影創作四十年。「Hong Kong/China Photographers」系列叢書的首作，正收錄其1980年代初至2000年代創作的五個系列作品，包括「Reflection on China」、「Still Night / 靜夜」、「This Mortal Coil: Alienated Urban Landscape」、「South China Portraits / 華南地誌」及「Transformation of Matter」，部分作品更被香港藝術館、香港文化博物館收藏。
早在1981年，蘇慶強已開始拍攝中國，那時改革開放不久，到處可見共產主義的痕跡及毛澤東的頭像，同時資本主義開始「入侵」，在現代化的過程中也產生出新的文化。蘇慶強的相機甚少出現人們的面貌，更多地透過城市風景及靜物呈現出這種獨特的現象，例如冰天雪地之下的毛澤東雕像，繪有傳統中國服飾的無頭木頭人偶；他還故意在「Reflection on China」作品中滲入兩張香港的照片，其中一幅是墳場前的廢車場，這種矛盾與強烈對比的畫面，與當時的內地竟有幾分異曲同工之處。
1990年代至千禧年代於廣東省潮陽地區拍攝的「South China Portraits」，是蘇慶強最廣為人知的人像作品。他多次前往當地，與被攝者建立起關係，希望他們在鏡頭前自然地呈現自己，滿臉皺紋的老人神情往往很嚴肅、身穿紅色外衣的女人姿態比較從容、稚氣的孩童感覺更為隨和，出生於不同年代人物的舉止，隱隱透露出某些訊息。印象最深的是那幅屏風前的婆婆肖像，身穿的藍色衣服有種貴族的感覺，蘇慶強在金色屏風背景前拍攝她，為相片增添隆重感，正如西方貴族的肖像畫。
雖然同樣是拍攝被人遺棄或忽略的物件，最後的「Transformation of Matter」系列相比起「Still Night」 無疑更抽象及更具形式主義，他鏡頭下的布料、膠袋、褶皺的紙張等物件抽離原先存在的環境，在精美的光線及佈置下，彷彿被賦予新的生命或意義，然而當中的摺痕、標籤等細節，或多或少均滲透出這些物件的歷史或故事，當中某些衣服更是來自「華南地誌」的被攝者，自然令人聯想起它們的過去，即使是那些看似無關緊要的泡泡紙碎片，也能與部分觀者產生聯繫或共鳴。攝影師通過物件本身尋找新的參考和身份來源，從而表達個人的內在想法。
蘇慶強攝影集《Hong Kong Photographers One – So Hing Keung》，2008年出版，204頁，收錄多幅1980年代至2000年代作品，「顯影堂 DEVEDO」有售。
Chun Wai’s Cubicle Life narrates the livelihood of the poor in Hong Kong. These people have no alternative but to dwell in cubicles that have an area of only three to four square meters. These cubicles usually do not have windows; thus, the air does not circulate, and the atmosphere becomes stuffy. The room is unbearably hot in summer, and bed bugs run rampant, making it an extremely harsh living environment.
People dwelling in these cubicles are mainly the grassroots who have no means of changing their destiny. They barely exist below the poverty line, with poor quality of life and confined social networks, and thus often live in a passive, lost, alienated, and melancholy, sub-health mental state of mind.
The stories of cubicle dwellers are presented from cinematic angles through touching scenes, portraits, and point-of-view shots. With great sensitivity to color and tonal subtleties, a highly coherent body of powerful images has been created. Chun Wai deftly uses medium shots and close-ups to connect and interact with the subjects. The results were honest yet unobtrusive – to capture the characters on camera with their dignity.
Martin Heidegger, exploring Taoism in his later years, ruminated over the phrase:
‘Poetically man dwells.’
This is a state of life.
We must remove the shackles of alienation and oppression before we can end inhuman states of existence and enable every individual to reach their true potential.
Cubicle Life highlights the lives buried under the dictates of elitism revered by our society. It also exposes the plight of the underprivileged in a situation where they are deprived of any opportunity for upward mobility. It also attempts to find out the meaning of life and the worth of human existence.
Boogie Woogie Photography & PhotogStory are pleased to present « My Hong Kong, 我城 (Part II) », a group exhibition at the Loft in Wong Chuk Hang from 15 October to 27 November 2022.
Every city has its own story to tell. More stories are yet to be told in a vibrant and bustling city like Hong Kong. Following the success of the exhibition « My Hong Kong, 我城 », we are thrilled to present Part II, comprising twelve Hong Kong and international photographers’ artworks about the city.
Raymond Cauchetier, Hong Kong, 1954. Photo Courtesy of Boogie Woogie Photography
Everyone sees and feels the city from their perspective. People who have been to Hong Kong at different ages always have a reason to fall in love with the city. Raymond Cauchetier and James Chung‘s cityscapes from the 1950s and young talents’ impressions of Hong Kong are on display.
Even though Cauchetier and Chung lived in different worlds, they had similar paths. They were both self-taught photographers and recorded Hong Kong’s street scenes nearly seventy years ago. Their images reflect people’s simple life at that time. Later, in the 1960s, Cauchetier became a set photographer for the French New Wave and Chung for Hong Kong films. With the passing of Jean-Luc Godard in September of this year, Cauchetier’s photographs brought back vivid memories of the French New Wave director, which left a critical testimony of the golden era.
Hong Kong’s attraction is not only the city’s history and appearance but also the people who live here. For nearly two decades, photographer Chun Wai has photographed spectators dressed in amusing costumes during the Hong Kong Sevens. Meanwhile, Rensis Ho captured celebrities like Anita Mui and Kate Moss in Hong Kong, who are the Pop Culture Icons of our times.
The culture of Hong Kong is a mix of Chinese and Western influences. Such background inspired photographer Lean Lui’s artistic experimentations project “Disorder Sensing” (2022). She folded the light-sensitive paper into a pinhole camera, repeatedly threw it at the wall, or tossed it in a washing machine for exposure.
The process is done in complete darkness, relies on her experience and imagination, and finally obtains a series of abstract and gorgeous tints on paper. The process echoes Lui’s interests in Tao Te Ching, which says, “everything bears Yin and embraces Yang, and rushes into harmony.” After experiencing darkness and light, the photographic paper shows the beauty brought by the balance of Yin and Yang, which is reminiscent of the Taoist philosophy.
Hong Kong is a charismatic city. Whether in the movies or the reality, this place always attracted and fascinated visitors. The exhibition not only presents the city’s past and present but also embraces the city’s diversity through the photographers’ eyes. We hope the audience can recall their unique memories of the city with this exhibition.
My Hong Kong, 我城 (Part II)
Date: 15 October – 27 November 2022
Time: 2-7 pm (Friday – Sunday)
Address: The Loft, 8/F, E Wah Factory Building,
56-60 Wong Chuk Hang Road, Wong Chuk Hang.
Guided tour with Curator and Artists: Saturday 12 November, 2-7 pm
About Boogie Woogie Photography
Boogie Woogie Photography is a company founded in Hong Kong in 2016 to promote photography in Asia. The mission is to act as a platform for galleries, collectors, companies, and photographers aiming to develop photography projects in Hong Kong and Asia.
About PhotogStory
PhotogStory is an online Photography platform and Guest Curator based in Hong Kong. We focus on reports of local and international photographers and stories behind classic photos.
Artists Profile
Raymond Cauchetier (France, 1920-2021)
Raymond Cauchetier was the most famous photographer of French New Wave cinema. His first photographs were taken in his thirties while serving in the French Air Force press corps in Indochina. Cauchetier traveled through Hong Kong in 1954 and stayed for one week. He left a bouquet of memories, a little yellowed but always authentic.
James Chung (Hong Kong, 1925-2018)
James Chung embarked on his journey in photography in 1957 when he acquired his first Rolleicord. Entirely self-taught, he became a full-time movie-still photographer in 1963. James started his studio in North Point In 1968, focusing on portraits for commercials and print enlargement. His achievements in photography were further recognized by the Honorary Fellowship from the Photographic Society of Hong Kong and Fellowship from the Royal Photographic Society of Great Britain later. The Hong Kong Heritage Museum collects his works.
Takeshi Shikama (Japan, 1948)
Takeshi Shikama’s life ambition is to capture the “invisible” world that lingers beyond the visible world of the trees. Each photograph is hand-printed by Takeshi Shikama, using the ancient platinum/palladium technique, considered the highest quality in black and white photographic printing. The Japanese Gampi paper on which he prints is a handmade UNESCO national treasure. It requires a great deal of time and manual labor, which reflects the intimacy Shikama has with his subject matter.
Roger Ballen (United States, 1950)
Roger Ballen’s photographs span over forty years, and he is one of the most influential and important photographic artists of the 21st century. His strange and extreme works confront the viewer and challenge them to come with him on a journey into their minds as he explores the deeper recesses of his own. Roger Ballen is one of the artists representing South Africa at the Venice Biennale 2022 in Italy.
Chun Wai (Hong Kong, 1958)
Born in Hong Kong and educated at the École supérieure des beaux-arts de Mulhouse in France, photographer Chun Wai’s perspective lies in his humanistic vision and macro-historical framework in interpreting the changing world. His project covered a vast area in the region, including Hong Kong. His work is full of a sorrowful yet romantic mood and reveals his personal landscape. The phantasmagorical image like a rhythm poem of a stray, is a unique work of art.
Thierry Cohen (France, 1963)
Thierry Cohen has been a professional photographer since 1985 and a pioneer in the use of digital techniques from the end of the 1980s. He lives and works between Paris and Monségur, close to the Atlantic Coast. Since 2006, he has devoted most of his time to personal work. Thierry is interested in the impact of human activities, particularly on nature. His works are held in private and public collections and regularly exhibited in New York, Los Angeles, and Paris.
Rensis Ho (Hong Kong, 1964)
Rensis Ho, a well-known Hong Kong photographer, studied finance in New York and then majored in photography at the Fashion Institute of Technology. After returning to Hong Kong in the 1990s, he has been engaged in photography for more than 25 years. Rensis is particularly noted for still life and portrait photography and has photographed numerous celebrities, including Kate Moss, Chloe Sevigny, Marc Jacobs, Sakamoto Ryuichi, Anita Mui, etc.
Julian Cohen (United Kingdom, 1967)
Julian came to Hong Kong in 1998 for three months, fell in love with the city, and stayed. He was called to
the Hong Kong Bar in 2010 and founded Resolution Chambers in 2021. He is today a renowned Barrister & Arbitrator. He photographs the city with his passion for the place and people.
Jocelyn Ho (Hong Kong, 1973)
Jocelyn has always been interested in photography – not to be behind or in front of a camera, but to see through a different pair of eyes. To her, everyone is a photographer. We may be looking in the same direction, the same object, but she believes we all see differently, and we choose which images to imprint on our minds.
Paul Bradshaw (United Kingdom, 1979)
Paul is a photographer, designer, and publisher based in Hong Kong since 2004. His photographs are either candid shots or spontaneous collaboration, which happens when his subject is suddenly confronted by the camera. The ambiguity of these fleeting moments, captured without exchanging words, encourages personal interpretation of the images.
Lean Lui (Hong Kong, 1999)
Lean Lui, a Hong Kong fine art and fashion photographer, graduated from Central Saint Martins (Philosophies & Photography MA). She has shot for the 2020 DIOR Global Campaign and VOGUE Magazine cover and was a guest of DIOR TALKS. Lean’s works were exhibited at the 2018 Beijing Three-shadow photography Award Exhibition, Hong Kong International Photo Festival, etc.
Dion Leung (Hong Kong, 1999)
Dion Leung is a Hong Kong-based visual artist who mainly works with photography and collage. She explores topics of rebellion and conflict with the practice of realism. As a self-taught artist, Dion is constantly looking for the expression of art amongst human interaction in other disciplines. Having an interest in history and politics, she is trying to fulfill her understanding of the sophisticated world through her art practice and reminding herself that everything true is beautiful.
致力於推廣攝影藝術的Boogie Woogie Photography與香港攝影平台「顯影 PhotogStory」在黃竹坑The Loft攜手呈獻攝影聯展《我城》(My Hong Kong, Part II)，展期由2022年10月15日至11月27日。
展覽名稱《我城》源自作家西西的同名著作，作者透過不同角色的故事及他們生活日常中的瑣碎細節，共同編織起一個關於香港城市的故事。每篇章節內容均可視為一段獨立的情節，閱讀整部小說就如一部觀看「香港版」的《清明上河圖》。《My Hong Kong》攝影聯展的理念，恰好與西西小說中多重視點的敘述手法不謀而合，展覽中的每位攝影師均有屬於自己的香港故事，他們眼中的香港也不盡相同，而這正體現這座城市的多元及迷人之處。
《我城》小說寫於1970年代，並以當時的香港為背景，作者在小說中坦言「目前的世界不好，但年輕人可以依理想來創造美麗的新世界。」這些對白放諸刻下的香港，其實也深有共鳴。《My Hong Kong》展覽以本地攝影師Jocelyn Ho一幅中環街市的一縷陽光為終結，既呼應老一輩攝影師在1950及1960年代在中環街市拍攝的照片，同時帶出對我城的一絲希望，這一縷陽光，也象徵著城市的生命力。
Raymond Cauchetier是法國新浪潮電影劇照攝影師，1951年，他隨法國空軍到胡志明市 (舊稱西貢) 服役，當時正值第一次印度支那戰爭，他拍攝空軍的行動以及戰役，為此還得到戴高樂將軍的褒獎。1954年戰爭結束後，他展開遊覽東南亞的旅程，在香港、澳門、越南、柬埔寨、老撾及日本等地拍攝當地的風土民情，在他的舊香港照片中，可見掛滿招牌的街道。
何耀燊，本地著名攝影師，在紐約攻讀金融，及後入讀Fashion Institute of Technology主修攝影，回港後從事攝影工作超過二十五年。何氏擅長靜物和人像攝影，曾拍攝無數中外時尚名人紅星，包括Kate Moss、Isabella Rossellini、Chloe Sevigny、Marc Jacobs、Nigo、坂本龍一、梅艷芳、郭富城、舒淇等。
Raymond Cauchetier, Courtesy of Boogie Woogie Photography.
展覽《我城》展出十三位本地及外國攝影師關於香港的攝影作品，他們來自法國、美國或日本，也有多位香港本地攝影師；他們有的在1950年代已開始攝影，也有剛開始攝影生涯的年輕攝影師。每位攝影師均有屬於自己的香港故事，這也是這次展覽「My Hong Kong」的由來，他們對香港有不同看法，眼中的香港也不盡相同，而這正體現這座城市的多樣性。
Raymond Cauchetier是法國新浪潮電影劇照攝影師，1951年，他隨法國空軍到胡志明市 (舊稱西貢) 服役，當時正值第一次印度支那戰爭，他拍攝空軍的行動以及戰役，為此還得到戴高樂將軍的褒獎。1954年戰爭結束後，他展開遊覽東南亞的旅程，在香港、澳門、越南、柬埔寨、老撾及日本等地拍攝當地的風土民情，在他的舊香港照片中，可見掛滿招牌的街道。
Boogie Woogie Photography & PhotogStory are pleased to present “My Hong Kong, 我城”, a group exhibition at the Loft Wong Chuk Hang, from 3 September to 15 October 2022.
Every city has its own story to tell. In a vibrant and bustling city like Hong Kong, more stories are yet to be told. For Boogie Woogie Photography and PhotogStory, Photography brought us together. Although we have different backgrounds, we share the same passion for photography and fondness for this city. We met several years ago at an Art Fair, and now we’re thrilled to curate this exhibition, “My Hong Kong, 我城”, in Wong Chuk Hang.
James Chung, Queen’s Road Central, 1959. Courtesy of Boogie Woogie Photography.
“My Hong Kong, 我城”, comprises thirteen Hong Kong and international photographers’ artworks about the city. On display are Raymond Cauchetier and James Chung’s cityscapes from the 1950s as well as young talents’ impressions of Hong Kong. These images not only present the city’s past and present but also embrace the city’s diversity through the photographers’ eyes. We hope you enjoy the exhibition as we enjoy the city that we’re much-loved.
Raymond Cauchetier, Courtesy of Boogie Woogie Photography.
Everyone sees and feels the city from their perspective. People who have been to Hong Kong at different ages always have a reason to fall in love with the city. Under the lens of James Chung and French photographer Raymond Cauchetier, there is street scenery full of Chinese characters, reflecting people’s simple life at that time. Even though Chung and Cauchetier lived in different worlds, they had similar fates. Both were self-taught photographers and recorded Hong Kong’s street scene nearly seventy years ago. Later, they became set photographers, respectively for Hong Kong Films and for the French New Wave in the 1960s. Their photographs left a critical testimony of the golden era.
Hong Kong’s architecture also reflects the city’s character. Chun Wai photographed buildings with rounded corners, a practical architectural style popular in the post-war. Under the lens of Dustin Shum, a ping pong table painted in bright green in Shun on Estate is reminiscent of American director Wes Anderson’s movies at first glance. Yet, the bright colors contrasted with the mottled ground if you look closely, revealing the refurbishment in public housing estates, where the city’s low-income residents live. Photographer Felix Wong focuses on skyscrapers, extracting the background and apparent characteristics of the buildings, and simply presenting its aesthetics with geometric lines.
Hong Kong is known for its distinctive tower-studded cityscape. The high-rise buildings captured by photographers Stephen King and Thierry Cohen present a typical overlook of the city. Thierry Cohen combined stars shot separately from remoted deserts to the Victoria Harbour night scene with digital techniques, to give the cityscape a romantic and surreal look. Although Hong Kong is full of skyscrapers, nature is not far from the city. Japanese photographer Takeshi Shikama captured this urban jungle. The photographs are hand-printed on Japanese handmade Ganpi paper with the ancient platinum technique. His images demonstrate the city’s rarely seen elegant silent beauty.
Thierry Cohen, Hong Kong 22° 16’ 38’’ N 2012-03-22 lst 14:00, From Darkened Cities series, 2010-2012. Courtesy of Boogie Woogie Photography.
Hong Kong is a charismatic city. Whether in the movies or the reality, this place always attracted and fascinated visitors. We hope the audiences can arouse unique memories of the city in the “My Hong Kong, 我城” exhibition.
My Hong Kong, 我城
Date: 3 Sep – 1 Oct, 11-15 Oct 2022
Time: 2-7pm (Tuesday – Saturday)
Address: The Loft, 8/F, E Wah Factory Building,
56-60 Wong Chuk Hang Road, Wong Chuk Hang.
Guided tour with the artists: Saturday 10 September, 2-4pm
PS: 4-8 Oct will be exhibiting at Fine Art Asia in HKCEC Wan Chai.
About Boogie Woogie Photography
Boogie Woogie Photography is a company founded in Hong Kong in 2016 to promote photography in Asia. The mission is to act as a platform for galleries, collectors, companies, and photographers aiming to develop photography projects in Hong Kong and Asia.
About PhotogStory
PhotogStory is an online Photography platform and Guest Curator based in Hong Kong. We focus on stories of local and international photographers and stories behind classic photos.
Artists Profile
Raymond Cauchetier (France, 1920-2021)
Raymond Cauchetier was the most famous photographer of French New Wave cinema. His first photographs were taken in his thirties while serving in the press corps of the French Air Force in Indochina. Cauchetier traveled through Hong Kong in 1954 because the city was conveniently on the air route he had chosen on his way to France on his return from Indochina. He thought he would stay there for only 24 hours, but the city fascinated him, and his stay extended for one week. Hong Kong was still a quiet colonial city. It was a port and a compulsory crossing point for sailors rather than a place to stay. He left a bouquet of memories, a little yellowed but always authentic.
James Chung (China, 1925-2018)
James Chung embarked on his journey in photography in 1957 when he acquired his first Rolleicord. Entirely self-taught, he became a full-time movie-still photographer in 1963. James started his studio in North Point In 1968, focusing on portraits for commercials and print enlargement. His achievements in photography were further recognized by the Honorary Fellowship from the Photographic Society of Hong Kong and Fellowship from the Royal Photographic Society of Great Britain later. The Hong Kong Heritage Museum collects his works.
Fan Ho (China, 1931-2016)
Dubbed the “Cartier-Bresson of the East”, Fan Ho patiently always waited for the decisive moment. His images are often a collision of the unexpected, framed against a very clever composed background of geometrical construction, patterns, and texture. He often created drama and atmosphere with backlit effects or through the combination of smoke and light. His favorite locations were the streets, alleys, and markets around dusk or life on the sea. His works were in many private and public collections, including the M+ Museum & the Heritage Museum in Hong Kong, the San Francisco Museum of Modern Art in the USA, and many more.
Takeshi Shikama (Japan, 1948)
Takeshi Shikama’s life ambition is to capture the “invisible” world that lingers beyond the visible world of the trees. Each photograph is hand-printed by Takeshi Shikama, using the ancient platinum/palladium technique, considered the highest quality in black and white photographic printing. The Japanese Gampi paper on which he prints is a handmade UNESCO national treasure. It requires a great deal of time and manual labor, which reflects the intimacy Shikama has with his subject matter.
Roger Ballen (the United States, 1950)
Roger Ballen’s photographs span over forty years, and he is one of the most influential and important photographic artists of the 21st century. His strange and extreme works confront the viewer and challenge them to come with him on a journey into their minds as he explores the deeper recesses of his own. Roger Ballen is one of the artists representing South Africa at the Venice Biennale 2022 in Italy.
Chun Wai (Hong Kong, 1958)
Born in Hong Kong and educated at the École supérieure des beaux-arts de Mulhouse in France, photographer Chun Wai’s perspective lies in his humanistic vision and macro-historical framework in interpreting the changing world. His project covered a vast area in the region, including Hong Kong. His work is full of a sorrowful yet romantic mood and reveals his personal landscape. The phantasmagorical image like a rhythm poem of a stray, is a unique work of art.
Thierry Cohen (France, 1963)
Thierry Cohen has been a professional photographer since 1985 and a pioneer in the use of digital techniques from the end of the 1980s. He lives and works between Paris and Monségur, close to the Atlantic Coast. Since 2006, he has devoted most of his time to personal work. Thierry is interested in the impact of human activities, particularly on nature. His works are held in private and public collections and regularly exhibited in New York, Los Angeles, and Paris.
Stephen King (the United States, 1966)
Stephen is an award-winning photographer based in Hong Kong, known for his painterly and carefully composed depictions of the natural and urban landscape. A product of two cultures, Stephen points to his love of Chinese ink and American Abstract Expressionist painting as influences that help inform his aesthetic. Ordinarily an intrepid world traveler, due to the pandemic, Stephen has spent much of the last few years in Hong Kong, exploring the colors and light in Hong Kong’s urban environment.
Julian Cohen (the United Kingdom, 1967)
Julian came to Hong Kong in 1998 for three months, fell in love with the city, and has stayed. He was called to
the Hong Kong Bar in 2010 and founded Resolution Chambers in 2021. He is today a renowned Barrister & Arbitrator. He photographs the city with his passion for the place and people.
Dustin Shum (Hong Kong, 1971)
Dustin Shum is a Hong Kong-based artist and documentary photographer. He has published several monographs on various topics, including Themeless Parks (2008), BLOCKS, and Live and Times (both in 2014). His works were collected by the SFMoMA, the Hong Kong Heritage Museum, and private collectors.
Jocelyne Ho (Hong Kong, 1973)
Jocelyne has always been interested in photography – not to be behind or in front of a camera, but to see through a different pair of eyes, perhaps because she was aware that her eyes did not give her 20/20 vision. To her, everyone is a photographer. We may be looking in the same direction, the same object, but she believes we all see differently, and we choose which images to imprint on our minds.
Felix Sze Chung Wong (Hong Kong, 1991)
His passion for photography was sparked during high school by his peers and father. After a few years working as a photographer assistant for photographers of different sectors, Felix decided to study further in the field of art in the UK. Felix Sze Chung Wong is a Photographic artist who explores one’s relationship with the city through its facades.
Dion Leung (Hong Kong, 1999)
Dion Leung is a Hong Kong-based visual artist, mainly working with photography, videography, and collage. She explores topics of rebellion and conflict with a practice of realism. As a self-taught artist, Dion is constantly looking for the expression of art amongst human interaction in other disciplines. Having an interest in history and politics, she is trying to fulfill her understanding of the sophisticated world through her art practice and reminding herself that everything true is beautiful.
