Tag: 香港攝影師

日本音樂巨匠坂本龍一享譽國際，從電子音樂到電影配樂，他的音樂旋律令人動容，他對生命的反思也影響世人。

1998年，坂本龍一前來香港宣傳新專輯《Discord》，攝影師Rensis Ho為其捕捉獨特的肖像。在攝影師眼中，教授是一位思想豐盈、魅力四射的藝術家。在簡潔背景下，二人自由發揮，坂本龍一很快進入自己的境界，時而直視鏡頭，時而躺在地上，期間不忘與攝影師的寵物狗親密玩耍。他的「演出」猶如即興之作，瀟灑而迷人，Rensis巧妙地捕捉出他的不同神韻。

---

27年後，這些珍貴的影像即將在顯影堂首次完整展示。展覽以《間まMA：Ryuichi by Rensis》為主題，旨在呼應教授的獨特氣質與照片所傳達的深意。在日語中，「間」由「門」與「日」組成，象徵陽光穿透門扉灑進室內的意境，如同坂本龍一的音樂，在喧囂世界中，帶來溫暖與內心的平和。

「間」亦代表負空間或虛無。在傳統日本藝術中，此概念對構圖與美學產生深遠影響。在現代詮釋下，「間」是對空白空間的藝術表達，引導觀者專注於留白的負空間，並在簡單之中尋找美。Rensis九十年代的作品，藉著簡約背景凸顯教授的氣質與神情，以日本和紙印製而成的照片，與坂本龍一的淡然與禪意不謀而合。

這些影像不僅是音樂大師的肖像，更是時代的回聲。事隔多年，這些珍貴相片「現身」顯影堂，不僅是攝影師向坂本龍一深厚音樂哲學的致敬，也將1998年教授的「香港篇章」再次顯影。

《間まMA：Ryuichi by Rensis》

日期：延長至2025年12月20日

時間：2-7pm（星期三至六，可私訊「顯影堂」或WhatsApp 51868090預約）

地址：黃竹坑業勤街33號金來工業大廈二座6J室「顯影堂」

---

展覽開幕後迴響熱烈，吸引眾多教授歌迷前來參觀，兩場Rensis Ho的人像攝影講座也座無虛席，「顯影堂」因此決定延長展期至12月20日，並在12月14日增設第三場展覽講座。

延長展期的同時，「顯影堂」特別推出A6尺寸的精美照片珍藏版盒裝，裏面包括10張以收藏級標準Hahnemühle Photo Rag Baryta紙張印製而成的照片，希望大家可將教授的香港回憶典藏家中。珍藏版盒裝售價650HKD，現以優惠價 580HKD 進行預購 (預計一星期後到貨)，可私訊 @devedo.hk 查詢及預購。

---

展覽講座《從坂本龍一到梅艷芳、Kate Moss——Rensis Ho的人像攝影》

相信大家均很好奇1998年Rensis拍攝教授的情形，以及他入行三十年來拍攝名模Kate Moss、美國奧斯卡最佳女配角Chloë Sevigny、已故香港歌手梅艷芳等名人的過程，「顯影堂」因此特別舉辦這次講座，讓Rensis道出這些年來拍攝多位國際巨星的經歷與趣事。

1.《從坂本龍一到梅艷芳、Kate Moss——Rensis Ho的人像攝影》

時間：2025年12月14日(星期日)2pm-3pm

費用：100HKD (可用於顯影堂購書)｜以廣東話進行

有興趣可私訊「顯影堂」或WhatsApp報名（名額有限，先到先得）

---

---

DEVEDO’s First Photography Exhibition—間まMA：Ryuichi by Rensis

Japanese renowned musician Ryuichi Sakamoto visited Hong Kong in 1998, and photographer Rensis Ho captured his unique portraits. 

As for Rensis, Sakamoto is a brilliant and charismatic artist. During the shooting process, Sakamoto quickly entered his own realm, sometimes looking directly into the camera, sometimes lying on the ground. His “performance” felt impromptu, effortlessly charming, and Rensis skillfully captured his spiritual gesture.

Twenty-seven years later, these precious images will be fully exhibited at DEVEDO for the first time. The exhibition, themed “間まMA,” aims to reflect the professor’s unique charisma and the profound meaning conveyed by his photographs. 

In Japanese, “間まMA” is composed of the characters for “door” and “sun,” symbolizing sunlight filtering through a door into a room. Much like Sakamoto’s music, it brings warmth and inner peace amidst the world’s hustle and bustle.

“間まMA” also represents negative space or emptiness. In traditional Japanese art, this concept profoundly influences composition and aesthetics. In modern interpretation, it is an artistic expression of blank space, inviting viewers to focus on the negative space and find beauty in simplicity. 

Rensis’s works from the 1990s feature minimalist backgrounds that highlight the professor’s demeanor and expression. The photographs, printed on Japanese awagami washi paper, resonate with Ryuichi Sakamoto’s calm and Zen spirit.

《間まMA：Ryuichi by Rensis》
Date: 2025.10.23 – 11.29
Time: 2-7pm (Wednesday-Saturday, By Appointment)
Venue: @devedo.hk , 6J, Block 2 Kingley Industrial Building, 33 Yip Kan Street, Wong Chuk Hang.
Image Printing Supported by @avocadoartlab

「故地重遊，風光不再，看牆景也看心境。」陳的

2015年，正當「觀塘市中心重建計劃」進展得如火如荼之際，攝影師陳的(Chan Dick)來到兒時成長的裕民坊，在某個靜謐午後重回曾經熟悉的社區，好奇之下走進裕華大廈，住客眼中曾經的「三不管地帶」，彼時已人去樓空、冷冷清清。漫步在樓梯間，牆角密密麻麻的電線早已拆走，然而痕跡仍清晰可見。是那刻的靈光乍現，曲折的電線痕跡令陳的想起山峰的輪廓，莫名想起青馬大橋的景色。

仔細摸索牆身，另一面牆上的波浪形凹痕，像是浮世繪的海浪，與從紅磡望向中環的風景匹配。如是者，攝影師在當天共拍攝七幅作品，有的牆身猶如棉花糖般的高積雲、有的好比長時間曝光的星軌。

多年前我訪問陳的時，已被這輯作品深深吸引，若沒有過人的想像力，誰能在斑駁的牆上看見如此多風景？然而，這系列與其代表作《柴灣消防局》同期創作的照片，之前卻從未展示。

2025年初，陳的母親離世，這系列作品不僅是他對成長社區裕民坊重建的反思，亦是他對母親的思念！在此特殊時刻，香港攝影平台「顯影 PhotogStory」為陳的策劃小型展覽《面壁思過》，首次展出這系列以牆身結合香港城市風景的照片，一幕幕似曾相識的地景透過僅餘的牆壁痕跡如迴光般浮現，藉此也反思城市重建與保育之間的微妙關係。

十年後再次重遊故地，裕華大廈早已拆卸，變成一片黑色碎石，當中夾雜著瓦礫，幻想著這是大廈遺留下來的痕跡。拾起石塊放在手中，黑壓壓、沉甸甸，攝影師不禁再憶往事，百感交集、不無唏噓，是時候好好梳理這份夾雜著回憶與親情的思緒。

陳的個展《面壁思過》

日期：2025年3月15日至4月13日

時間：星期二至日11am-1pm, 2pm-6pm

地址：石硤尾白田街30號JCCAC二樓二室「光影作坊」LUMOS Mini Gallery

藝術家自述

《面壁思過》這套作品反思城市重建與保育之間微妙的關係，探討重建是否能毫無痕跡地完成後，也同時抹去所有過去的歷史？

自幼在牛頭角長大，我的生活總離不開觀塘社區。每逢星期日，全家人會到工廠區的茶樓飲茶，因價格親民。我記得媽媽總會在飲茶時說：「食包包食飽」，因為小時候發育總會大食一點，蝦餃燒賣只有過節才會享用，雖家境不富裕，但家庭生活融洽。當時觀塘尚未有大型商場，所以飲完茶常到裕民坊逛逛。

到中學時代，放學後會和同學在裕民坊的麥當勞度過時光，或到寶聲戲院旁的唱片店聽歌。我在這裡買下人生第一張黑膠唱片，兒時回憶總離不開裕民坊！2015年，觀塘裕民坊重建計劃進行得如火如荼。某日拿著相機想在觀塘拍照紀錄，但最後一張照片也未拍下，原來記憶比拍照紀錄的方法更完整。

當把相機放回袋時，正對著裕華大廈入口，好奇心帶領我進入。走至三樓，看著牆上的舊電線痕跡，莫名其妙地令我聯想起青馬大橋景色，另一面牆則有像浮世繪的海浪，與從紅磡望向中環的風景更為匹配，一天內拍攝七幅作品。將香港景點與牆上痕跡線條配對，將真實景色融入將消失場景，《面壁思過》就是如此煉成。故事未完，作品推出後因為一次訪問從回舊地，卻意外發現牆上恍如獅子山的痕跡，最終作品由七張變成八張！

2025年，母親離世，《面壁思過》不僅是對長大社區重建的反思，亦是對母親情感的思念！

攝影師陳的

陳的(Chan Dick) ，香港著名攝影師，攝影集包括《探 The Trek》、《I SEE 吾見》及代表作《柴灣消防局》，後者曾獲2016年東京國際攝影獎的專業藝術攝影集首獎，作品曾於日本及荷蘭展出，也被香港文化博物館和日本奈良美術館收藏。

策展人劉東佩

香港攝影平台「顯影 PhotogStory」創辦人，從事攝影寫作，近年開始策劃攝影展覽，包括《工廈角落》、麥烽個展《香港曾經是這樣的》，也與攝影畫廊Boogie Woogie Photography聯合策劃攝影聯展《My Hong Kong 我城》及於2024年在Fine Art Asia聯合策劃特別展覽《Hong Kong Once Was》。

---

·瀏覽「顯影 PhotogStory」 Instagram / Facebook / Carousell

·歡迎支持「顯影」繼續書寫攝影：PayMe / PayPal

In 2025, photographer Chan Dick will celebrate the 10th anniversary of his series, CEMENT-ERY. This collection not only reflects his thoughts on the redevelopment of Yue Man Square in Kwun Tong, the community where he grew up, but also preserves the memories of his mother, who passed away earlier this year.

In this special moment, the Hong Kong photography platform PhotogStory curated a small exhibition titled “CEMENT-ERY” for Chan Dick, showcasing this series of photos that combine wall surfaces with Hong Kong’s urban landscapes for the first time. Familiar landscapes emerge through the remaining wall marks like reflections, encouraging viewers to contemplate the delicate relationship between urban redevelopment and preservation.

In 2015, as the Kwun Tong Town Centre Redevelopment Project progressed rapidly, Chan Dick returned to Yue Man Square on a quiet afternoon. He wandered back into the familiar community and, out of curiosity, stepped into Yue Wah Mansion, which was already empty and desolate. Strolling through the staircase, the wires that once cluttered the corners had been removed, but their traces were still clearly visible. At that moment of inspiration, the twisted wire marks reminded him of the mountains’ outline and inexplicably brought to mind the scenery of the Tsing Ma Bridge.

As he carefully explored the walls, he noticed wave-like indentations on another wall that resembled the waves of ukiyo-e, matching the view from Hung Hom towards Central. That day, the photographer took seven photographs, some depicting clouds resembling cotton candy, while others look like long-exposure star trails. When I interviewed Chan Dick years ago,  I was deeply captivated by this series of works and amazed that he could envision so many landscapes on mottled walls through his extraordinary imagination. However, these photos, created concurrently with his iconic work “Chai Wan Fire Station,” had never been exhibited before.

Returning to Yue Man Square a decade later, Chan Dick saw that Yue Wah Mansion had been demolished, leaving behind a pile of black rubble mixed with debris. Imagining these were the traces left behind by the building, he picked up stones and held them in his hand. They were heavy and dark, stirring a wave of nostalgia and mixed emotions within him. It is time to sort through these thoughts intertwined with memories and feelings of familial affection. 

Chan Dick — CEMENT-ERY

Date: March 15 – April 13, 2025

Time: 11am-1pm, 2pm-6pm  (Tuesday to Sunday) 

Venue: Lumenvisum LUMOS Mini Gallery, L2-2,  JCCAC, 30 Pak Tin Street, Shek Kip Mei

About Chan Dick

Chan Dick studied graphic design and first became involved in photography when given his graduation assignment. As a still-life and architectural photographer, he is devoted to creating personal works, often touching on social issues and everyday life discoveries. 

While fascinated by simple lines and minimalistic compositions, Chan’s works emphasize the ambiguous attraction between reality and illusion. His iconic series “Chai Wan Fire Station” earned him first prizes respectively at the Tokyo International Foto Awards and the Hong Kong Photo Book Awards. This series was exhibited in Japan and the Netherlands and collected by the Hong Kong Heritage Museum and Japan’s Irie Taikichi Memorial Museum of Photography Nara City.

Chan also collaborated with the Faculty of Medicine of the University of Hong Kong by photographing their collection of human specimens. He produced an aesthetic set of images called “The Trek,” which challenges the general public’s shared perception of the topic. The work was published as a photo book and won a Gold Prize at the Tokyo International Foto Awards (TIFA).

About PhotogStory 

Hong Kong-based Photography platform PhotogStory was founded by photography writer and curator LAU Tung-Pui. The platform introduces local & international photographers’ artwork, the history behind classic images, and photo books. 

PhotoStory’s curated exhibitions include Hidden Town at Wure Area (Kowloon Bay), Chun Wai’s solo exhibition at Kubrick (Yau Mai Tei), Mak Fung‘s solo exhibition at EastPro Gallery (Causeway Bay) and co-curated group exhibitions at Boogie Woogie Photography (Wong Chuk Hang) and at Fine Art Asia 2024.

---

·Visit PhotogStory on Instagram / Facebook / Carousell

Support PhotogStory through PayMe / PayPal