日本攝影師志鎌猛香港個展《Contemplations》  

攝影畫廊 Boogie Woogie Photography 與香港攝影平台「顯影PhotogStory」在黃竹坑The Loft 攜手呈獻日本攝影師志鎌猛 (Takeshi Shikama) 攝影個展《Contemplations》,展期由2022年12月10日至2023年1月20日。

「我發現自己與森林有一種心靈感應,能感受到它的呼喚,這種神秘的感覺令我堅持拍攝它們。」今年74歲的志鎌猛,對森林及花草樹木情有獨鍾,將對大自然的感性與敬畏,定格在黑白菲林裏。

Contemplation – Japan: Onuma, Courtesy of Boogie Woogie Photography

自學攝影 「樹林引領我拍攝」

志鎌猛與森林的相遇可謂姍姍來遲,在東京居住四十年,他從未認真感受過人類與大自然的微妙關係。有如此覺悟,源於他用十年時間興建林間小屋的經歷,當時他砍伐一些日本紅松樹來建造地基及橫樑等,倒下樹木的飛濺樹液就如傷口上的鮮血,令他感受到樹木的生命能量,「當樹木倒下一刻,我整個身體都在顫抖,雖然已是陳年舊事,但我仍清楚記得那種感覺。」

自此,他對大自然的感性被完全喚醒,彷彿有種神奇的力量引領他探訪不同的森林。2001年秋天的一個傍晚,他在暮光初現的山上迷路,偶然走進一個隱蔽樹林,一種想要拍攝照片的慾望隨即油然而生,當他翌日帶上相機去尋找同一片樹林時,卻無法尋覓。「那一刻我意識到,不是我想拍攝照片,而是樹林引領我去拍攝。」於是在2002年,當他54歲時,從事設計多年的他,決心要成為一名攝影師。

Silent Respiration of Forests-Yosemite: Yosemite #23, Courtesy of Boogie Woogie Photography

日本有七成領土是森林與山峯,這個島國自古已有崇拜自然的傳統,在志鎌猛的照片中,也能感受到大自然的神奇與壯觀。在森林漫遊的時間裏,他學懂在樹林深處聆聽大自然的聲音,觀察花草落葉的四季變遷, 有時他看着樹木的年輪,彷彿正在透視自己的人生,然後不期然地按下快門,一切頗有禪宗意味。志鎌猛的作品是一段段旅程的寫照。他既遊走在日本的森林與美國國家公園,也踏足法國以及香港的城市綠洲及花園,這種人造的自然 (或稱Urban Forest) 同樣令他着迷,「人們即使身處都市環境中,那種親近自然的慾望仍是強烈的。」

在世界各地旅行時,志鎌猛總會帶著相機,好奇它將如何捕捉不同地方的大自然氣息。一部配備4×5吋底片的大畫幅相機讓他能夠捕捉到精美細節,在設置相機的過程中,也令他有更多時間思考及沉澱。在數碼時代的當下,拍攝照片前所未有地方便快捷,當人們面對美景不斷咔嚓咔嚓時,志鎌猛的每幅畫面只拍攝一張,是他沉澱過後的呈現。他也喜歡以中片幅相機拍攝正方形比例的照片,配備6×6中片幅菲林的哈蘇相機能在保留細節的前提下,也適合他捕捉稍縱即逝的瞬間。

Silent Respiration of Forests – Hokkaido: Komatsubara, Courtesy of Boogie Woogie Photography

拍攝與印相是一種沉澱

對志鎌猛而言,不僅拍攝是一種沉澱,印相過程同樣如此。每張照片均由攝影師親手製成,他以典雅的鉑鈀印相技術將照片曬在日本傳統紙張「雁皮紙」上,這種由天然樹纖維製成的非酸性張紙質纖細透亮,令照片充滿天鵝絨般的質感。相比起傳統的銀鹽沖印手法,以鉑/鈀工藝印製同一張負片,可還原更多的細節,令影像更為細膩、層次豐富。 

志鎌猛的森林和樹木照片很寂靜,也能讓觀者感受到平靜,慢慢體會作品的靜謐與禪意。對他而言,真正的寂靜並非完全沒有聲音,而是能感受到森林的脈搏。鉑鈀印相工藝的照片有種微妙的柔和色調,這種效果也加強作品的靜謐感覺。

展覽《Contemplations》以地區歸類其作品,如美國優勝美地國家公園、日本、法國、蘇格蘭、香港及台灣等共32幅作品,觀眾可從志鎌猛在世界各地的森林足跡中,體會大自然的生命力,在靜謐中感受他的攝影魅力。

《Contemplations》

日期:2022年12月10日至2023年1月20日(12月28日至31日休息)

時間:下午2時至7時 (星期三至六)

地址:黃竹坑道56-60號怡華工業大廈8樓 The Loft

藝術家出席展覽:12月10日(星期六) 下午2時至7時

Contemplation – Snow: Kitayokodake #6, Courtesy of Boogie Woogie Photography

志鎌猛 (日本,1948)

志鎌猛對森林及花草樹木情有獨鍾,將對大自然的感性與敬畏,定格在黑白菲林裏,作品瀰漫著靜謐與禪意。他喜歡在森林漫遊,感受大自然的生命力,並以大片幅相機拍攝照片,再以古典的鉑鈀印相工藝將相片曬在日本手造紙上,創作過程對他而言也是一種沉澱。

志鎌猛的作品被多個私人及公共藝術機構收藏,包括愛馬仕、法國國家圖書館 (Bibliothèque Nationale de France)、美國加州三藩市現代藝術博物館 (San Francisco Museum of Modern Art)、美國加州聖地牙哥攝影美術館 (Museum of  Photographic Arts San Diego)、美國德州休士頓美術館 (Museum of Fine Arts, Houston)及美國俄勒岡州波特蘭美術館 (Portland Art Museum)等。

關於 Boogie Woogie Photography

2016年創立的Boogie Woogie Photography專門代理攝影藝術品及舉辦展覽,立足香港、放眼亞洲,為藝廊、收藏家、機構和攝影師提供一個平台,致力於區內推廣攝影藝術。

關於「顯影 PhotogStory

顯影是一個關注影像及攝影師故事的平台,除了分享展覽資訊及採訪攝影師,也會從日常生活入手,重溫經典照片背後的故事,近年開始策劃攝影展覽。

Contemplations, a solo exhibition by Takeshi Shikama

Boogie Woogie Photography & PhotogStory are pleased to present “Contemplations”, a solo exhibition by Takeshi Shikama at the Loft in Wong Chuk Hang from 10 December 2022 to 20 January 2023.


Born in Tokyo in 1948, Takeshi Shikama taught himself photography but never expected to be a photographer at the beginning. One day in early autumn 2001, as twilight set in, Shikama got lost in the mountain paths. Attracted by the darkness of the undergrowth, he found himself suddenly seized with a strong desire to take photographs. He set out to the same place again with a camera the following day, trying to capture the enigmatic feeling that animates him. This experience made him realize that he was not taking pictures of the woods out of his will but that the forest was inducing him to take its portraits. Since then, Shikama turned to photography after a lengthy career as a designer and never stopped photographing forests in Japan, the United States, and Europe.

Silent Respiration of Forests – Hokkaido: Komatsubara, Courtesy of Boogie Woogie Photography

Looking back, he feels that this all began with the decision to build a mountain lodge with his hands. To clear a plot of land for constructing a lodge inside a small forest, Shikama had to fell Japanese red pine trees some eighty years old. Although many years have elapsed since then, he still vividly remembers the feeling as he sat astride the felled-down trees, stripping them of their barks. 

Owing to the invaluable experience of spending the next ten years building the cottage, his sensitivity towards nature came to be fully awakened. Lured by this mysterious sensation, Shikama started to travel all over Japan, visiting the depth of forests and continuing to take photographs. 

Shikama always carries cameras when traveling. He is curious how the lens will capture the air in various places in different countries. Unlike the rapid snapping of pictures that most people experience, an image is photographed one at a time. The large format camera with 4×5 inches film makes him possible to record the details and gives him more time to contemplate while setting the camera. He also likes the square format. The Hasselblad camera with 6×6 cm film is more convenient and suitable for capturing fleeting moments.

Silent Respiration of Forests-Yosemite: Yosemite #23, Courtesy of Boogie Woogie Photography

The exhibition Contemplations comprises 32 of Shikama’s images captured worldwide, including the winter scenery in Japan, the magnificent Yosemite National Park in California, the Isle of Skye in Scotland, and urban forests in Hong Kong, Taiwan, and France. 

Breathe in, breathe out, and listen for the silence. As the exhibition title depicts, Shikama’s images of the forest and trees guided us through a visual contemplation that unlocks a journey toward discovering the nature of silence. Shikama wrote:”the forest always stands there, motionless in total stillness. This is the image I have always had of the forest. It has dawned upon me that the forest is, in fact, the home of numerous silent and peaceful activities”.

It is not just the trees and plants matter, but also the process of making the image from start to finish that is part of the journey. Shikama attaches as much importance to the details of the image as to the photographic object. His photographs are made in Japan and are both stunning and tranquil. He uses the platinum/palladium technique on handmade Gampi paper, which is traditional Japanese paper made of Gampi tree bark, giving the prints a natural sepia tone. 

Urban Forest-Paris: Parco des Ceaux #2, Courtesy of Boogie Woogie Photography 

He applies the emulsion by hand to each sheet, exposes the negative by contact, then reveals the image and fixes it chemically. This painstaking process requires mastery and attention that reflects the artist’s reverence for his subjects. The Gampi paper brings a unique and precious quality to each print, and its tone gives softness to the photo and reinforces the “stillness” of the forest in the final image.

Fascinated by the forest enveloped in natural and simple air, we hope these images in this exhibition can lead the viewers into Takeshi Shikama’s photography and meditation world. May the peace be with us. 

Contemplations 

A Solo Exhibition by Takeshi Shikama 

Date: 10th December 2022 – 20th January 2023 (Closed from 28th -31st December)

Time: 2-7pm (Wednesday – Saturday)

Address: The Loft, 8/F, E Wah Factory Building, 

56-60 Wong Chuk Hang Road, Wong Chuk Hang. 

The artist will be present on Saturday, 10 December, 2-7pm

Contemplation – Snow: Kitayokodake #6, Courtesy of Boogie Woogie Photography

Takeshi Shikama (Japan, 1948)

Takeshi Shikama’s life ambition is to capture the “invisible” world that lingers beyond the visible world of the trees. Each photograph is hand-printed by Takeshi Shikama, using the ancient platinum/palladium technique, considered the highest quality in black and white photographic printing. The Japanese Gampi paper on which he prints is a handmade UNESCO national treasure. It requires a great deal of time and manual labor, which reflects the intimacy Shikama has with his subject matter.

The works of Takeshi Shikama appear in numerous private and public collections, including the Bibliothèque Nationale de France (Paris, France), Hermès International (Paris, France), the Museet for Fotokunst Brandts (Odense, Denmark), the Museum of  Photographic Arts San Diego (California, United States), the Museum of Fine Arts, Houston (Texas, United States), the Santa Barbara Museum of Fine Art (California, United States), the Portland Art Museum (Oregon, USA) and the San Francisco Museum of Modern Art, (California, USA).

About Boogie Woogie Photography 

Boogie Woogie Photography is a company founded in Hong Kong in 2016 to promote photography in Asia. The mission is to act as a platform for galleries, collectors, companies, and photographers aiming to develop photography projects in Hong Kong and Asia. 

About PhotogStory

PhotogStory is an online Photography platform and Guest Curator based in Hong Kong. We focus on stories of local and international photographers and stories behind classic photos.

My Hong Kong (Part II), A Group Exhibition Presents Diverse Perspectives of The City

Boogie Woogie Photography & PhotogStory are pleased to present « My Hong Kong, 我城 (Part II) », a group exhibition at the Loft in Wong Chuk Hang from 15 October to 27 November 2022.

Every city has its own story to tell. More stories are yet to be told in a vibrant and bustling city like Hong Kong. Following the success of the exhibition « My Hong Kong, 我城 », we are thrilled to present Part II, comprising twelve Hong Kong and international photographers’ artworks about the city. 

Raymond Cauchetier

Raymond Cauchetier, Hong Kong, 1954. Photo Courtesy of Boogie Woogie Photography

Everyone sees and feels the city from their perspective. People who have been to Hong Kong at different ages always have a reason to fall in love with the city. Raymond Cauchetier and James Chung‘s cityscapes from the 1950s and young talents’ impressions of Hong Kong are on display. 

Even though Cauchetier and Chung lived in different worlds, they had similar paths. They were both self-taught photographers and recorded Hong Kong’s street scenes nearly seventy years ago. Their images reflect people’s simple life at that time. Later, in the 1960s, Cauchetier became a set photographer for the French New Wave and Chung for Hong Kong films. With the passing of Jean-Luc Godard in September of this year, Cauchetier’s photographs brought back vivid memories of the French New Wave director, which left a critical testimony of the golden era.

Hong Kong’s attraction is not only the city’s history and appearance but also the people who live here. For nearly two decades, photographer Chun Wai has photographed spectators dressed in amusing costumes during the Hong Kong Sevens. Meanwhile, Rensis Ho captured celebrities like Anita Mui and Kate Moss in Hong Kong, who are the Pop Culture Icons of our times.

The culture of Hong Kong is a mix of Chinese and Western influences. Such background inspired photographer Lean Lui’s artistic experimentations project “Disorder Sensing” (2022). She folded the light-sensitive paper into a pinhole camera,  repeatedly threw it at the wall, or tossed it in a washing machine for exposure. 

The process is done in complete darkness, relies on her experience and imagination, and finally obtains a series of abstract and gorgeous tints on paper. The process echoes Lui’s interests in Tao Te Ching, which says, “everything bears Yin and embraces Yang, and rushes into harmony.” After experiencing darkness and light, the photographic paper shows the beauty brought by the balance of Yin and Yang, which is reminiscent of the Taoist philosophy.

Left: ©Dion Leung, Was I wrong?  / Right: ©Lean Lui, Disorder Sensing. Courtesy of Boogie Woogie Photography


Hong Kong is a charismatic city. Whether in the movies or the reality, this place always attracted and fascinated visitors. The exhibition not only presents the city’s past and present but also embraces the city’s diversity through the photographers’ eyes. We hope the audience can recall their unique memories of the city with this exhibition.

My Hong Kong, 我城 (Part II)

Date: 15 October – 27 November 2022

Time: 2-7 pm (Friday – Sunday)

Address: The Loft, 8/F, E Wah Factory Building,

56-60 Wong Chuk Hang Road, Wong Chuk Hang.

Guided tour with Curator and Artists: Saturday 12 November, 2-7 pm

About Boogie Woogie Photography 

Boogie Woogie Photography is a company founded in Hong Kong in 2016 to promote photography in Asia. The mission is to act as a platform for galleries, collectors, companies, and photographers aiming to develop photography projects in Hong Kong and Asia. 

About PhotogStory

PhotogStory is an online Photography platform and Guest Curator based in Hong Kong. We focus on reports of local and international photographers and stories behind classic photos.

Artists Profile

Raymond Cauchetier (France, 1920-2021)

Raymond Cauchetier was the most famous photographer of French New Wave cinema. His first photographs were taken in his thirties while serving in the French Air Force press corps in Indochina. Cauchetier traveled through Hong Kong in 1954 and stayed for one week. He left a bouquet of memories, a little yellowed but always authentic. 

James Chung (Hong Kong, 1925-2018)

James Chung embarked on his journey in photography in 1957 when he acquired his first Rolleicord. Entirely self-taught, he became a full-time movie-still photographer in 1963. James started his studio in North Point In 1968, focusing on portraits for commercials and print enlargement. His achievements in photography were further recognized by the Honorary Fellowship from the Photographic Society of Hong Kong and Fellowship from the Royal Photographic Society of Great Britain later. The Hong Kong Heritage Museum collects his works.

Takeshi Shikama (Japan, 1948)

Takeshi Shikama’s life ambition is to capture the “invisible” world that lingers beyond the visible world of the trees. Each photograph is hand-printed by Takeshi Shikama, using the ancient platinum/palladium technique, considered the highest quality in black and white photographic printing. The Japanese Gampi paper on which he prints is a handmade UNESCO national treasure. It requires a great deal of time and manual labor, which reflects the intimacy Shikama has with his subject matter.

Roger Ballen (United States, 1950)

Roger Ballen’s photographs span over forty years, and he is one of the most influential and important photographic artists of the 21st century. His strange and extreme works confront the viewer and challenge them to come with him on a journey into their minds as he explores the deeper recesses of his own. Roger Ballen is one of the artists representing South Africa at the Venice Biennale 2022 in Italy.

Chun Wai (Hong Kong, 1958)

Born in Hong Kong and educated at the École supérieure des beaux-arts de Mulhouse in France, photographer Chun Wai’s perspective lies in his humanistic vision and macro-historical framework in interpreting the changing world. His project covered a vast area in the region, including Hong Kong. His work is full of a sorrowful yet romantic mood and reveals his personal landscape. The phantasmagorical image like a rhythm poem of a stray, is a unique work of art. 

Thierry Cohen (France, 1963)

Thierry Cohen has been a professional photographer since 1985 and a pioneer in the use of digital techniques from the end of the 1980s. He lives and works between Paris and Monségur, close to the Atlantic Coast. Since 2006, he has devoted most of his time to personal work. Thierry is interested in the impact of human activities, particularly on nature. His works are held in private and public collections and regularly exhibited in New York, Los Angeles, and Paris.

Rensis Ho (Hong Kong, 1964)

Rensis Ho, a well-known Hong Kong photographer, studied finance in New York and then majored in photography at the Fashion Institute of Technology. After returning to Hong Kong in the 1990s, he has been engaged in photography for more than 25 years. Rensis is particularly noted for still life and portrait photography and has photographed numerous celebrities, including Kate Moss, Chloe Sevigny, Marc Jacobs, Sakamoto Ryuichi, Anita Mui, etc.

Julian Cohen (United Kingdom, 1967)

Julian came to Hong Kong in 1998 for three months, fell in love with the city, and stayed. He was called to

the Hong Kong Bar in 2010 and founded Resolution Chambers in 2021. He is today a renowned Barrister & Arbitrator. He photographs the city with his passion for the place and people.

Jocelyn Ho (Hong Kong, 1973)

Jocelyn has always been interested in photography – not to be behind or in front of a camera, but to see through a different pair of eyes. To her, everyone is a photographer. We may be looking in the same direction, the same object, but she believes we all see differently, and we choose which images to imprint on our minds.

Paul Bradshaw (United Kingdom, 1979)

Paul is a photographer, designer, and publisher based in Hong Kong since 2004. His photographs are either candid shots or spontaneous collaboration, which happens when his subject is suddenly confronted by the camera. The ambiguity of these fleeting moments, captured without exchanging words, encourages personal interpretation of the images.

Lean Lui (Hong Kong, 1999)

Lean Lui, a Hong Kong fine art and fashion photographer, graduated from Central Saint Martins (Philosophies & Photography MA). She has shot for the 2020 DIOR Global Campaign and VOGUE Magazine cover and was a guest of DIOR TALKS. Lean’s works were exhibited at the 2018 Beijing Three-shadow photography Award Exhibition, Hong Kong International Photo Festival, etc. 

Dion Leung (Hong Kong, 1999)

Dion Leung is a Hong Kong-based visual artist who mainly works with photography and collage. She explores topics of rebellion and conflict with the practice of realism. As a self-taught artist, Dion is constantly looking for the expression of art amongst human interaction in other disciplines. Having an interest in history and politics, she is trying to fulfill her understanding of the sophisticated world through her art practice and reminding herself that everything true is beautiful.

《我城》(Part II)——十二位攝影師的香港聯展

致力於推廣攝影藝術的Boogie Woogie Photography與香港攝影平台「顯影 PhotogStory」在黃竹坑The Loft攜手呈獻攝影聯展《我城》(My Hong Kong, Part II),展期由2022年10月15日至11月27日。

展覽名稱《我城》源自作家西西的同名著作,作者透過不同角色的故事及他們生活日常中的瑣碎細節,共同編織起一個關於香港城市的故事。每篇章節內容均可視為一段獨立的情節,閱讀整部小說就如一部觀看「香港版」的《清明上河圖》。《My Hong Kong》攝影聯展的理念,恰好與西西小說中多重視點的敘述手法不謀而合,展覽中的每位攝影師均有屬於自己的香港故事,他們眼中的香港也不盡相同,而這正體現這座城市的多元及迷人之處。

©Julian Cohen, Jumbo Memories, 2022, Courtesy of Boogie Woogie Photography.

由於《My Hong Kong》反應熱烈,展覽的第二部分內容也應運而生,共展出十二位本地及外國攝影師關於香港的攝影作品,他們分別來自香港、法國、日本、美國及英國,有的在1950年代已開始攝影,也有剛開始攝影生涯的年輕攝影師,透過眾人不同的鏡頭及影像,訴說一個個「我城」故事。

西西在小說《我城》中道出對香港的熱愛:在這個小小的城市裏,其實有很多地方可以走走……人們到這裏來,想看看這裏的漁船、來看看海港、來看看炎夏白日下的沙灘,以及夜晚滿城熱鬧的燈色。在展覽作品中,既有法國攝影師Raymond Cauchetier及香港攝影師鍾文略在1950及1960年代拍攝的漁船,也有法國攝影師Thierry Cohen鏡頭下的超現實海港,某程度上也在對應《我城》文本。

鍾文略及Raymond Cauchetier這兩位生活在不同世界的攝影師,命運卻有相似之處,他們均是自學成才,記錄下1950年代的香港街頭面貌,後來同樣成為劇照攝影師,分別為1960年代的香港電影及法國新浪潮電影留下重要見證。月前法國導演尚盧·高達逝世,Raymond Cauchetier為其《斷了氣》(1960)及《女人就是女人》(1961)等電影拍攝的劇照,再次被世人提起。

同一座城市,在不同人眼中,呈現出不同的魅力,西西在小說中如此寫道:「我喜歡這城市的天空/我喜歡這城市的海/我喜歡這城市的路」。其實,香港的吸引之處,除了城市自身的歷史與面貌,還有生活在這裏的人們。十多年來,攝影師秦偉在香港國際七人欖球賽期間,拍攝裝扮趣怪的觀眾,人人化身不同角色或身份,盡情享受嘉年華。另一邊廂,攝影師Rensis Ho在香港拍攝超模Kate Moss、日本作曲家坂本龍一及著名歌手梅艷芳等,捕捉下屬於我們時代的流行及時尚ICON。

香港作為一個中西文化的交匯點,如此背景也啟發年輕攝影師雷安喬進行「中體西用」的創作,她將感光相紙折疊為針孔相機,或砸到牆上、或拋入洗衣機內,進行無秩序感光。在相紙進行感光前,她依靠心像和經驗在全黑的封閉環境操作,最後獲得絢麗斑斕的影像。過程中她深刻感受到《道德經》中「萬物負陰而抱陽,冲氣以為和」的哲學,相紙在經歷黑暗與光明後展現出陰陽平衡所帶來的美麗,正正與道教理念不謀而合。

Left: ©Dion Leung, Was I wrong?  / Right: ©Lean Lui, Disorder Sensing. Courtesy of Boogie Woogie Photography

《我城》小說寫於1970年代,並以當時的香港為背景,作者在小說中坦言「目前的世界不好,但年輕人可以依理想來創造美麗的新世界。」這些對白放諸刻下的香港,其實也深有共鳴。《My Hong Kong》展覽以本地攝影師Jocelyn Ho一幅中環街市的一縷陽光為終結,既呼應老一輩攝影師在1950及1960年代在中環街市拍攝的照片,同時帶出對我城的一絲希望,這一縷陽光,也象徵著城市的生命力。

其實,不論現在或以前,在電影、文學還是現實中的香港,這座城市一直有其迷人之處,希望展覽《我城》能喚起你對這城的種種感受。 

My Hong Kong, 我城 (Part II)

日期:2022年10月15日至11月27日 

時間:下午2時至7時 (星期五至日)

地址:黃竹坑道56-60號怡華工業大廈8樓 The Loft

展覽導賞:10月15日(星期六) 下午2時至7時

Takeshi SHKAMA, Hong Kong #19 Courtesy of Boogie Woogie Photography

關於 Boogie Woogie Photography

2016年創立的Boogie Woogie Photography專門代理攝影藝術品及舉辦展覽,立足香港、放眼亞洲,為藝廊、收藏家、機構和攝影師提供一個平台,致力於區內推廣攝影藝術。

關於「顯影 PhotogStory

顯影是一個關注影像及攝影師故事的平台,除了分享展覽資訊及採訪攝影師,也會從日常生活入手,重溫經典照片背後的故事,近年開始策劃攝影展覽。 

攝影師簡介

Raymond Cauchetier (法國,1920-2021)

Raymond Cauchetier是法國新浪潮電影劇照攝影師,1951年,他隨法國空軍到胡志明市 (舊稱西貢) 服役,當時正值第一次印度支那戰爭,他拍攝空軍的行動以及戰役,為此還得到戴高樂將軍的褒獎。1954年戰爭結束後,他展開遊覽東南亞的旅程,在香港、澳門、越南、柬埔寨、老撾及日本等地拍攝當地的風土民情,在他的舊香港照片中,可見掛滿招牌的街道。

鍾文略 (香港,1925-2018)

1947年,鍾文略從廣東新會來港,在戲院當美術廣告畫學徒。1957年,他開始買下第一部相機,自學成才的他從此遊走在香港不同地區拍攝,記錄下當時的香港面貌。1963年,在李翰祥導演介紹下,鍾文略轉職到電懋影業公司,拍攝電影劇照及明星肖像,為那一代電影人留下重要的視覺回憶。1968年創辦影樓,從事攝影及沖印業務,1970年代開始減少在街頭拍攝,直至1991年退休,人生最精彩的三十多年,攝影可謂一直形影不離。

志鎌猛 (日本,1948)

志鎌猛對森林及花草樹木情有獨鍾,將對大自然的感性與敬畏,定格在黑白菲林裏,作品瀰漫著靜謐與禪意。他喜歡在森林漫遊,感受大自然的生命力,並以大片幅相機拍攝照片,再以古典的鉑鈀印相工藝將相片曬在日本手造紙上,創作過程對他而言也是一種沉澱。

Roger Ballen (美國,1950)

Roger Ballen是21世紀最具影響力和最重要的攝影藝術家之一,攝影生涯跨越四十年,他的標誌性作品是在南非拍攝的怪誕風格人像,畫面中的氛圍詭譎不安,視覺效果非常震撼。2022年,他是代表南非參加第59屆意大利威尼斯雙年展的三位藝術家之一。

秦偉 (香港,1958)

秦偉是香港大學專業進修學院「攝影深造文憑」課程統籌及講師、藝術家。早年畢業於法國Mulhouse高級藝術學院,獲法國文化部頒發國家高等造型表現碩士文憑。秦偉以當代西方的藝術造型風格表現東方傳統美學思維,描繪出個人的思考版圖,變幻不定的畫面鏡像,又如行吟的流浪詩歌,作品獨樹一格。

Thierry Cohen (法國,1963)

Thierry Cohen自1980年代成為攝影師,2010年開始其攝影計劃《Darkened Cities》,將在撒哈拉沙漠、阿塔卡瑪沙漠等地區拍攝的星空,結合紐約、倫敦、香港、上海等城市的夜景,創作成壯觀的影像。他的作品被私人和公共機構收藏,並定期在紐約、洛杉磯和巴黎展出。

Rensis Ho (香港,1964)

何耀燊,本地著名攝影師,在紐約攻讀金融,及後入讀Fashion Institute of Technology主修攝影,回港後從事攝影工作超過二十五年。何氏擅長靜物和人像攝影,曾拍攝無數中外時尚名人紅星,包括Kate Moss、Isabella Rossellini、Chloe Sevigny、Marc Jacobs、Nigo、坂本龍一、梅艷芳、郭富城、舒淇等。

Julian Cohen (英國,1967)

1998年,Julian Cohen來港三個月,愛上這座城市後,一直留下來至今。他是香港大律師公會之會員,2021年創立大律師事務所Resolution Chambers,閒暇時間,他喜歡以鏡頭記錄香港的大小事物。

Jocelyn Ho (香港,1973)

Jocelyn一直對攝影很感興趣,不是在鏡頭後面或前面,而是通過另一雙眼睛去觀看。對她來說,每個人都是攝影師,即使看向同一個方向、同一個物體,每個人均會觀察到不同的東西,從而印在我們腦海中。

Paul Bradshaw(英國,1979)

Paul在2004年來港定居,他是一名攝影師、設計師,他的照片坦誠地捕捉被攝者轉瞬即逝的瞬間,無需任何言語交流,每個人對影像都可以有獨特的詮釋。

Lean Lui (香港,1998)

雷安喬,藝術攝影師,畢業於中央聖馬丁藝術與設計學院攝影哲學藝術碩士。她活躍於藝術和時裝領域,首本攝影集 《19.29》在北京三影堂攝影獎展覽中展出,也曾參展2018年香港國際攝影節。在時裝界,雷氏成為首位為DIOR拍攝全球廣告的亞洲攝影師,也曾是「DIOR TALKS」嘉賓,作品亦見於《VOGUE》雜誌封面等。

Dion Leung (香港,1999)

狄安,香港視覺藝術工作者,作品包括攝影、影片與拼貼創作,當中以試驗「反叛」與「衝突」的題材尤其出色。狄安並非出身於藝術學院,作為一名自學成才的藝術工作者,她擅長從人與人的日常互動中,領略藝術的意義。

《我城》—— 十三位攝影師的香港聯展

致力於推廣攝影藝術的Boogie Woogie Photography與香港攝影平台「顯影PhotogStory」在黃竹坑The Loft攜手呈獻攝影聯展《我城》(My Hong Kong),展期由2022年9月3日至10月15日。

同一座城市,在不同人眼中,可能有不同的魅力,作家西西在小說《我城》裏寫道:「我喜歡這城市的天空/我喜歡這城市的海/我喜歡這城市的路」。

展覽《我城》展出十三位本地及外國攝影師關於香港的攝影作品,他們來自法國、美國或日本,也有多位香港本地攝影師;他們有的在1950年代已開始攝影,也有剛開始攝影生涯的年輕攝影師。每位攝影師均有屬於自己的香港故事,這也是這次展覽「My Hong Kong」的由來,他們對香港有不同看法,眼中的香港也不盡相同,而這正體現這座城市的多樣性。

每個人都帶著自己的角度去觀看及感受城市,不同年代來過這城的人,總有一個愛上她的理由。在鍾文略及法國攝影師Raymond Cauchetier鏡頭下,既有充滿中文字招牌的街道風景,也捕捉當時平民階層的樸素生活。這兩位生活在不同世界的攝影師,命運卻有相似之處,他們均是自學成才,記錄下1950年代的香港街頭面貌,後來同樣成為劇照攝影師,分別為1960年代的香港電影及法國新浪潮電影留下重要見證。

香港的建築物也呈現出這座城市的歷史與性格,攝影師秦偉拍攝的是戰後的弧形街角樓,一種以實用為先的建築風格,這種商住工業並用的綜合用途建築物,恰好反映1950及1960年代房屋及工業物業需求急增的時代背景。在攝影師岑允逸鏡頭下,順安邨一座髹上鮮豔綠色的乒乓球檯,乍看之下令人想起美國導演Wes Anderson的電影畫面,細看又會發現鮮豔顏色與斑駁的地面形成強烈對比,即便許多公共屋邨外牆及設備被髹上奪目的顏色,卻無法掩蓋屋邨居民低收入及人口老化等現象。

在許多人眼中,香港是一座由鋼筋水泥構成的「石屎森林」,攝影師Stephen King及Thierry Cohen鏡頭下的香港均是如此,然而同時間也呈現出如幻似真的香港。Thierry Cohen利用在沙漠拍攝的夜空,以後期製作的手法為維港夜景增添滿天星辰,如此都市景觀帶有三分浪漫、七分超現實。儘管香港到處是摩天大樓,然而大自然距離城市並不遙遠,日本攝影師志鎌猛拍攝香港充滿大自然活力的一面,他以古典的鉑鈀印相工藝將相片曬在日本手造紙上,令照片有一種典雅之美。九十後攝影師Felix Wong則拍攝摩天大廈的局部,抽離建築物的背景及明顯特質,單純以幾何線條呈現其美感。

Thierry Cohen, Hong Kong 22° 16’ 38’’ N 2012-03-22 lst 14:00
From Darkened Cities series, 2010-2012. Courtesy of Boogie Woogie Photography

近年流行一個hashtag #香港真係好靚 ,其實不論現在或以前,在電影、文學還是現實中的香港,這座城市一直有其迷人之處,希望展覽《我城》能喚起你對這城的種種感受。

《我城 My Hong Kong

日期:2022年9月3日至10月1日、10月11日至15日 

時間:下午2時至7時 (星期二至六)

地址:黃竹坑道56-60號怡華工業大廈8樓 The Loft

藝術家展覽導賞:9月10日(星期六) 下午2時至4時
PS:10月4日至8日會參展Fine Art Asia,在灣仔會展中心展出相關攝影師的其他作品。

關於 Boogie Woogie Photography

2016年創立的Boogie Woogie Photography專門代理攝影藝術品及舉辦展覽,立足香港、放眼亞洲,為藝廊、收藏家、機構和攝影師提供一個平台,致力於區內推廣攝影藝術。

關於「顯影 PhotogStory

顯影是一個關注影像及攝影師故事的平台,除了分享展覽資訊及採訪攝影師,也會從日常生活入手,重溫經典照片背後的故事,近年開始策劃攝影展覽。 

攝影師簡介

Raymond Cauchetier (法國,1920-2021)

Raymond Cauchetier是法國新浪潮電影劇照攝影師,1951年,他隨法國空軍到胡志明市 (舊稱西貢) 服役,當時正值第一次印度支那戰爭,他拍攝空軍的行動以及戰役,為此還得到戴高樂將軍的褒獎。1954年戰爭結束後,他展開遊覽東南亞的旅程,在香港、澳門、越南、柬埔寨、老撾及日本等地拍攝當地的風土民情,在他的舊香港照片中,可見掛滿招牌的街道。

鍾文略 (香港,1925-2018)

1947年,鍾文略從廣東新會來港,在戲院當美術廣告畫學徒。1957年,他開始買下第一部相機,自學成才的他從此遊走在香港不同地區拍攝,記錄下當時的香港面貌。1963年,在李翰祥導演介紹下,鍾文略轉職到電懋影業公司,拍攝電影劇照及明星肖像,為那一代電影人留下重要的視覺回憶。1968年創辦影樓,從事攝影及沖印業務,1970年代開始減少在街頭拍攝,直至1991年退休,人生最精彩的三十多年,攝影可謂一直形影不離。

何藩 (香港,1931-2016)

生於上海、1949年移居香港,何藩被譽為「東方布列松」、光影魔術師,他對光影十分講究, 作品構圖鮮明,獨特的光影營造出或戲劇感或詩意美感。他拍攝的市井百態照片,充滿人文氣息,記錄那年代香港人的艱苦和堅韌。何藩作品被M+博物館、香港文化博物館、美國三藩市現代藝術博物館等機構收藏。

志鎌猛 (日本,1948)

志鎌猛對森林及花草樹木情有獨鍾,將對大自然的感性與敬畏,定格在黑白菲林裏,作品瀰漫著靜謐與禪意。他喜歡在森林漫遊,感受大自然的生命力,並以大片幅相機拍攝照片,再以古典的鉑鈀印相工藝將相片曬在日本手造紙上,創作過程對他而言也是一種沉澱。

Roger Ballen (美國,1950)

Roger Ballen是21世紀最具影響力和最重要的攝影藝術家之一,攝影生涯跨越四十年,他的標誌性作品是在南非拍攝的怪誕風格人像,畫面中的氛圍詭譎不安,視覺效果非常震撼。2022年,他是代表南非參加第59屆意大利威尼斯雙年展的三位藝術家之一。

秦偉 (香港,1958)

秦偉是香港大學專業進修學院「攝影深造文憑」課程統籌及講師、藝術家。早年畢業於法國Mulhouse高級藝術學院,獲法國文化部頒發國家高等造型表現碩士文憑。秦偉以當代西方的藝術造型風格表現東方傳統美學思維,描繪出個人的思考版圖,變幻不定的畫面鏡像,又如行吟的流浪詩歌,作品獨樹一格。

Thierry Cohen (法國,1963)

Thierry Cohen自1980年代成為攝影師,2010年開始其攝影計劃《Darkened Cities》,將在撒哈拉沙漠、阿塔卡瑪沙漠等地區拍攝的星空,結合紐約、倫敦、香港、上海等城市的夜景,創作成壯觀的影像。他的作品被私人和公共機構收藏,並定期在紐約、洛杉磯和巴黎展出。

Stephen King (美國,1966)

Stephen King是一位屢獲殊榮的攝影師,以拍攝自然和城市景觀而為人所認識,作品受中國水墨和美國抽象表現主義繪畫所影響。作為一名周遊列國的世界旅行者,他過去幾年大部分時間都在香港度過,藉此探索香港的城市環境。

Julian Cohen (英國,1967)

1998年,Julian Cohen來港三個月,愛上這座城市後,一直留下來至今。他是香港大律師公會之會員,2021年創立大律師事務所Resolution Chambers,閒暇時間,他喜歡以鏡頭記錄香港的大小事物。

岑允逸 (香港,1971)

岑允逸1994年在理工大學獲得攝影設計(榮譽)學士,曾任攝影記者逾十年,現為獨立攝影師,也曾出版多本攝影集,包括《一人生活》(2007)、《係‧唔係樂園:岑允逸攝影作品》(2008) 及《某座》(2014)等,作品被美國三藩市現代藝術博物館、香港文化博物館等機構收藏。

Jocelyne Ho (香港,1973)

Jocelyne一直對攝影很感興趣,不是在鏡頭後面或前面,而是通過另一雙眼睛去觀看。對她來說,每個人都是攝影師,即使看向同一個方向、同一個物體,每個人均會觀察到不同的東西,從而印在我們腦海中。

Felix Sze Chung Wong (香港,1991)

高中時期,Felix的同輩和父親激發他對攝影的熱情,在為不同行業的攝影師擔任數年攝影助理後,他決定前往英國深造藝術。Felix是一位攝影藝術家,透過鏡頭探索人與城市的關係。

Dion Leung (香港,1999)

狄安,香港視覺藝術工作者,作品包括攝影、影片與拼貼創作,當中以試驗「反叛」與「衝突」的題材尤其出色。狄安並非出身於藝術學院,作為一名自學成才的藝術工作者,她擅長從人與人的日常互動中,領略藝術的意義。

My Hong Kong, 我城: A Photography Group Exhibition

Boogie Woogie Photography & PhotogStory are pleased to present “My Hong Kong, 我城”,  a group exhibition at the Loft Wong Chuk Hang, from 3 September to 15 October 2022.

Every city has its own story to tell. In a vibrant and bustling city like Hong Kong, more stories are yet to be told. For Boogie Woogie Photography and PhotogStory, Photography brought us together. Although we have different backgrounds, we share the same passion for photography and fondness for this city. We met several years ago at an Art Fair, and now we’re thrilled to curate this exhibition, “My Hong Kong, 我城”, in Wong Chuk Hang.

“My Hong Kong, 我城”, comprises thirteen Hong Kong and international photographers’ artworks about the city. On display are Raymond Cauchetier and James Chung’s cityscapes from the 1950s as well as young talents’ impressions of Hong Kong. These images not only present the city’s past and present but also embrace the city’s diversity through the photographers’ eyes. We hope you enjoy the exhibition as we enjoy the city that we’re much-loved.

Raymond Cauchetier, Courtesy of Boogie Woogie Photography.

Everyone sees and feels the city from their perspective. People who have been to Hong Kong at different ages always have a reason to fall in love with the city. Under the lens of James Chung and French photographer Raymond Cauchetier, there is street scenery full of Chinese characters, reflecting people’s simple life at that time. Even though Chung and Cauchetier lived in different worlds, they had similar fates. Both were self-taught photographers and recorded Hong Kong’s street scene nearly seventy years ago. Later, they became set photographers, respectively for Hong Kong Films and for the French New Wave in the 1960s. Their photographs left a critical testimony of the golden era.

Hong Kong’s architecture also reflects the city’s character. Chun Wai photographed buildings with rounded corners, a practical architectural style popular in the post-war. Under the lens of Dustin Shum, a ping pong table painted in bright green in Shun on Estate is reminiscent of American director Wes Anderson’s movies at first glance. Yet, the bright colors contrasted with the mottled ground if you look closely, revealing the refurbishment in public housing estates, where the city’s low-income residents live. Photographer Felix Wong focuses on skyscrapers, extracting the background and apparent characteristics of the buildings, and simply presenting its aesthetics with geometric lines.

Hong Kong is known for its distinctive tower-studded cityscape. The high-rise buildings captured by photographers Stephen King and Thierry Cohen present a typical overlook of the city. Thierry Cohen combined stars shot separately from remoted deserts to the Victoria Harbour night scene with digital techniques, to give the cityscape a romantic and surreal look. Although Hong Kong is full of skyscrapers, nature is not far from the city. Japanese photographer Takeshi Shikama captured this urban jungle. The photographs are hand-printed on Japanese handmade Ganpi paper with the ancient platinum technique. His images demonstrate the city’s rarely seen elegant silent beauty. 

Thierry Cohen, Hong Kong 22° 16’ 38’’ N 2012-03-22 lst 14:00,
From Darkened Cities series, 2010-2012. Courtesy of Boogie Woogie Photography.

Hong Kong is a charismatic city. Whether in the movies or the reality, this place always attracted and fascinated visitors. We hope the audiences can arouse unique memories of the city in the “My Hong Kong, 我城” exhibition.

My Hong Kong, 我城  

Date: 3 Sep – 1 Oct, 11-15 Oct 2022

Time: 2-7pm (Tuesday – Saturday)

Address: The Loft, 8/F, E Wah Factory Building, 

56-60 Wong Chuk Hang Road, Wong Chuk Hang. 

Guided tour with the artists: Saturday 10 September, 2-4pm

PS: 4-8 Oct will be exhibiting at Fine Art Asia in HKCEC Wan Chai.

About Boogie Woogie Photography 

Boogie Woogie Photography is a company founded in Hong Kong in 2016 to promote photography in Asia. The mission is to act as a platform for galleries, collectors, companies, and photographers aiming to develop photography projects in Hong Kong and Asia. 

About PhotogStory

PhotogStory is an online Photography platform and Guest Curator based in Hong Kong. We focus on stories of local and international photographers and stories behind classic photos.

Artists Profile

Raymond Cauchetier (France, 1920-2021)

Raymond Cauchetier was the most famous photographer of French New Wave cinema. His first photographs were taken in his thirties while serving in the press corps of the French Air Force in Indochina. Cauchetier traveled through Hong Kong in 1954 because the city was conveniently on the air route he had chosen on his way to France on his return from Indochina. He thought he would stay there for only 24 hours, but the city fascinated him, and his stay extended for one week. Hong Kong was still a quiet colonial city. It was a port and a compulsory crossing point for sailors rather than a place to stay. He left a bouquet of memories, a little yellowed but always authentic. 

James Chung (China, 1925-2018)

James Chung embarked on his journey in photography in 1957 when he acquired his first Rolleicord. Entirely self-taught, he became a full-time movie-still photographer in 1963. James started his studio in North Point In 1968, focusing on portraits for commercials and print enlargement. His achievements in photography were further recognized by the Honorary Fellowship from the Photographic Society of Hong Kong and Fellowship from the Royal Photographic Society of Great Britain later. The Hong Kong Heritage Museum collects his works.

Fan Ho (China, 1931-2016)

Dubbed the “Cartier-Bresson of the East”, Fan Ho patiently always waited for the decisive moment. His images are often a collision of the unexpected, framed against a very clever composed background of geometrical construction, patterns, and texture. He often created drama and atmosphere with backlit effects or through the combination of smoke and light. His favorite locations were the streets, alleys, and markets around dusk or life on the sea. His works were in many private and public collections, including the M+ Museum & the Heritage Museum in Hong Kong, the San Francisco Museum of Modern Art in the USA, and many more.

Takeshi Shikama (Japan, 1948)

Takeshi Shikama’s life ambition is to capture the “invisible” world that lingers beyond the visible world of the trees. Each photograph is hand-printed by Takeshi Shikama, using the ancient platinum/palladium technique, considered the highest quality in black and white photographic printing. The Japanese Gampi paper on which he prints is a handmade UNESCO national treasure. It requires a great deal of time and manual labor, which reflects the intimacy Shikama has with his subject matter.

Roger Ballen (the United States, 1950)

Roger Ballen’s photographs span over forty years, and he is one of the most influential and important photographic artists of the 21st century. His strange and extreme works confront the viewer and challenge them to come with him on a journey into their minds as he explores the deeper recesses of his own. Roger Ballen is one of the artists representing South Africa at the Venice Biennale 2022 in Italy.

Chun Wai (Hong Kong, 1958)

Born in Hong Kong and educated at the École supérieure des beaux-arts de Mulhouse in France, photographer Chun Wai’s perspective lies in his humanistic vision and macro-historical framework in interpreting the changing world. His project covered a vast area in the region, including Hong Kong. His work is full of a sorrowful yet romantic mood and reveals his personal landscape. The phantasmagorical image like a rhythm poem of a stray, is a unique work of art. 

Thierry Cohen (France, 1963)

Thierry Cohen has been a professional photographer since 1985 and a pioneer in the use of digital techniques from the end of the 1980s. He lives and works between Paris and Monségur, close to the Atlantic Coast. Since 2006, he has devoted most of his time to personal work. Thierry is interested in the impact of human activities, particularly on nature. His works are held in private and public collections and regularly exhibited in New York, Los Angeles, and Paris.

Stephen King (the United States, 1966)

Stephen is an award-winning photographer based in Hong Kong, known for his painterly and carefully composed depictions of the natural and urban landscape. A product of two cultures, Stephen points to his love of Chinese ink and American Abstract Expressionist painting as influences that help inform his aesthetic. Ordinarily an intrepid world traveler, due to the pandemic, Stephen has spent much of the last few years in Hong Kong, exploring the colors and light in Hong Kong’s urban environment.

Julian Cohen (the United Kingdom, 1967)

Julian came to Hong Kong in 1998 for three months, fell in love with the city, and has stayed. He was called to

the Hong Kong Bar in 2010 and founded Resolution Chambers in 2021. He is today a renowned Barrister & Arbitrator. He photographs the city with his passion for the place and people.

Dustin Shum (Hong Kong, 1971)

Dustin Shum is a Hong Kong-based artist and documentary photographer. He has published several monographs on various topics, including Themeless Parks (2008), BLOCKS, and Live and Times (both in 2014). His works were collected by the SFMoMA, the Hong Kong Heritage Museum, and private collectors.

Jocelyne Ho (Hong Kong, 1973)

Jocelyne has always been interested in photography – not to be behind or in front of a camera, but to see through a different pair of eyes, perhaps because she was aware that her eyes did not give her 20/20 vision. To her, everyone is a photographer. We may be looking in the same direction, the same object, but she believes we all see differently, and we choose which images to imprint on our minds.

Felix Sze Chung Wong (Hong Kong, 1991)

His passion for photography was sparked during high school by his peers and father. After a few years working as a photographer assistant for photographers of different sectors, Felix decided to study further in the field of art in the UK. Felix Sze Chung Wong is a Photographic artist who explores one’s relationship with the city through its facades.

Dion Leung (Hong Kong, 1999)

Dion Leung is a Hong Kong-based visual artist, mainly working with photography, videography, and collage. She explores topics of rebellion and conflict with a practice of realism. As a self-taught artist, Dion is constantly looking for the expression of art amongst human interaction in other disciplines. Having an interest in history and politics, she is trying to fulfill her understanding of the sophisticated world through her art practice and reminding herself that everything true is beautiful.

《摩登明星》——六、七十年代香港明星相展

1960至1970年代香港影壇百花齊放,粵劇電影、青春歌舞片、文藝片、豔情片、國語及粵語武俠片,還有新派動作片,孕育出多位各領風騷、有棱有角的電影明星,李小龍、蕭芳芳、陳寶珠、馮寶寶、姜大衛、狄娜……他們在一班著名攝影師的鏡頭下,鋒芒畢露。

藝文平台「文化者 The Culturist」及攝影平台「顯影 PhotogStory」共同策劃《摩登明星》展覽,展出多幅邱良於1960至70年代拍攝及親手沖曬的珍貴香港明星銀鹽相片,還有麥烽、陳復禮、陳迹及邱良父親邱啟福等著名攝影師捕捉的那些年星影。

說起二戰後的香港電影,不得不提邵氏兄弟及電懋這兩間當時得令的巨擘。電懋在1965年改組為國泰機構(香港)電影有限公司,同年24歲的邱良加入國泰擔任攝影師,性感女星狄娜的玉照,正是在國泰片場拍攝。


奇女子狄娜17歲已晉身電影圈,1966年,21歲的她加入國泰機構,拍攝《英雄膽》及《血酒紅玫瑰》等電影,在《千手佛》拍攝現場,邱良在拍攝下衣著性感的她。邱良拍攝。

1971年,邱良加入邵氏旗下的《南國電影》月刊任職攝影師,拍攝電影製作的場景及劇照,同時拍攝不少明星名人,如武打巨星李小龍及陳寶珠、蕭芳芳、亞洲影展影后李菁等演員,還有童星馮寶寶及帶著青春稚氣的林青霞。獲得2022年香港電影金像獎「終身成就獎」的「喜劇天王」許冠文,1972年為參演首部電影《大軍閥》而剃光頭髮,邱良也見證經典一幕並抓拍他當時的造型。

六、七十年代的娛樂不及如今多元化,那時市民茶餘飯後的最大樂趣就是看電影,位於銅鑼灣的利舞臺戲院,就是當時最著名的戲院及表演場地之一。其時的邵氏公司為吸引觀眾,還特意舉辦活動讓電影及攝影愛好者前來拍照,令現場總是圍得水泄不通。邱良的鏡頭,見證當年的電影盛世,也拍攝包括張徹、李翰祥導演在幕後執導的罕見場景。

左:陳雲裳 by 邱啟福 / 右:林黛 by 麥烽 

邱良年少時已對攝影深感興趣,這或多或少源自父親邱啟福的影響。他也是一名出色的攝影師,在1930年代為女星陳雲裳留下倩影,能歌善舞的她是當時最著名的女演員之一,與阮玲玉、周旋齊名。1938年,她憑國語片《木蘭從軍》轟動上海灘,在1930及1940年代紅極一時。

邱啟福鏡頭下的陳雲裳,造型摩登時尚,即使以今天的標準來看,依然毫不過時。當然,為香港電影明星留下重要見證的何止邱良,在已故攝影師麥烽、陳復禮的菲林相片中,也可見丁瑩、汪明荃等人的身影,還有陳迹鏡頭下的童年蕭芳芳等,共同為香港影壇的光輝歲月留下重要見證。

在離開邵氏公司後,邱良在1973年創辦《攝影生活》月刊, 可惜只維持數年時間。停刊之後,他1980年開始在《攝影藝術》擔任編輯,一直工作至離世前夕,對於推廣攝影藝術可謂不遺餘力。 

邱良出版不少著作,包括《爐峯故事》(1992年)、《飛越童真》(1994年)及《百變香江》 (1997年)等書籍,原本他計劃出版《百變香江》下冊,可惜因離世未能實現。在攝影集《爐峯故事》和《百變香江》 中,也收錄他當年在國泰及邵氏拍攝的明星照片。

邱良拍攝的邵逸夫與邵氏演員大合照 。

《摩登明星》——六、七十年代香港明星相展(Modern Celebrities of Old Hong Kong)

日期:2022年4月30日(星期六)至5月15日(星期日)

時間:下午1時至7時(星期一休息)

地址:The Culturist’s Playground | 上環文咸東街105-107號利文商業大廈6樓

《百變香江》——邱良逝世25週年紀念展

「在港數十年的攝影生涯,正好永誌着回歸前的民生片段,見證着帶動潮流的焦點,見證着港人創造傳奇的辛勤努力成果。」—— 攝影家邱良, 1997

已故著名香港攝影家邱良(Yau Leung,1941-1997)一生用鏡頭記錄生活,他熱衷於捕捉香港1960及1970年代的社會面貌,定格草根階層的生活點滴,以照片觀照香港翻天覆地的變化。

2022年是香港回歸25周年,也是邱良逝世25周年。藝文平台「文化者 The Culturist」及攝影平台「顯影 PhotogStory」共同策劃邱良紀念展《百變香江》(City Vibrance: Hong Kong),展出多張邱良於1960至70年代拍攝、以及由攝影家親手放曬的珍貴銀鹽原作照片,相片也呈現當時港人的樸素日常以及生活的閒情逸致,是難得的集體回憶。

邱良《六十年代太平山下香港島》,1960年代(銀鹽紙基,藝術家親手沖製,一組2張)。

除了珍貴原作照片,展覽也難得呈現邱良生前常用的相機、稿件及他任職多年的《攝影藝術》雜誌等,觀眾還可在會場購藏1997年出版、已絕版多時的《百變香江:邱良攝影珍藏九七版(上)》。此書誕於回歸年,出版後不久邱良便意外離世,籌備多時的下冊也就隨着作者溘逝而成為消失的檔案,這沒有下集的攝影集也就是邱良的絕世遺作。

《百變香江》珍貴在於其歷史價值,也是邱良與父親的一次難得的「合作」。攝影集中多幀四十年代的原版照片,是邱良亡父拍攝的珍藏,邱良重新跟着父親的腳蹤再拍攝一次,以鏡頭對照和回味滄海桑田的急促變遷,是一次平行時空的父子聯手合作。四分之一個世紀之後還看今朝,改頭換面又是一番景象。

《百變香江》(City Vibrance: Hong Kong)展期由2022年1月7日(五)至1月23日(日),期間並舉行兩場講座,由前《攝影畫報》總編輯伍小儀及編輯方明回憶與邱良的相識及工作上的點滴;Asia One董事總經理劉文邦(Peter Lau)與香港收藏家協會前會長張順光則會分享香港舊照片的收藏與價值,歡迎傳媒參觀、邀約訪問。

除了邱良的作品集,展場還有不同攝影師操刀的舊香港攝影集展示,大部分更是絕版,歡迎觀眾一同回味那些年的集體回憶,驚艷香江昔日之美。

邱良——沙龍與寫實攝影的橋樑

1960年,年僅十九歲的邱良已在街頭拍攝。他的照片講究構圖與光影,作品也甚具美感,由於當時非常流行沙龍攝影,加上人們常將傳統攝影簡單分為沙龍畫意與寫實攝影,因此曾有人將他歸類為沙龍攝影師。實際上,邱良受當時布列松等攝影大師的寫實主義攝影所影響,風格上更偏向寫實。

邱良的年代正好處於沙龍與寫實攝影之間,他與上一代沙龍攝影師不同的是,他在香港的沙龍及寫實攝影之間建立起一座橋樑。畢竟身為攝影雜誌編輯的他,非常樂於接觸新事物,即使後來他面對當代攝影的興起,同樣以了解、欣賞的態度去接觸。

邱良曾擔任多本雜誌的編輯,1965年至1970年,他在國泰機構(香港)電影有限公司擔任攝影師。1971年,他在邵氏旗下的《南國電影》月刊任職攝影師,拍攝電影製作的場景,也拍攝武打巨星李小龍、陳寶珠、蕭芳芳、狄娜等明星名人。1973年,他創辦《攝影生活》月刊,但只維持數年時間。停刊後,1980年起在《攝影藝術》擔任編輯,一直工作至離世前夕,對於推廣攝影藝術可謂不遺餘力。

邱良出版不少著作,包括《爐峯故事》(1992年)、《飛越童真》(1994年)及《百變香江》(1997年)等書籍,原本他計劃出版《百變香江》下冊,可惜因離世未能實現。之後,三聯為他出版《香港故事 1960’s-1970’s》(1999年及2012年)。

《情侶打傘》,1960-70年代。藝術家印製銀鹽相片。

 邱良逝世25週年紀念展 ——《百變香江》(City Vibrance: Hong Kong

日期:2022年1月7日(星期五)至1月23日(星期日)

時間:下午1時至7時(星期三四休息)

地址:The Culturist’s Playground | 上環文咸東街105-107號利文商業大廈6樓

傳媒導賞: 1月7日下午2時至6時

分享會:

一、香港舊照片的收藏與價值

講者:劉文邦(Peter Lau,Asia One董事總經理)、張順光(香港收藏家協會前會長)

主持:鄭天儀(文化者創辦人) 

時間:1月8日(六)下午三時至五時

登記:https://www.eventbrite.hk/e/237585272947 

二、邱良——工作及日常

講者:伍小儀(《攝影畫報》前總編輯)及方明(《攝影畫報》前編輯)

主持:顯影

日期:1月15日(六)下午三時至五時

登記:https://www.eventbrite.hk/e/237592444397 

·歡迎追蹤「顯影」IG(https://www.instagram.com/photogstory/)及透過Payme( payme.hsbc/photogstory )支持「顯影」繼續攝影寫作及網站運作。

1950年代香港 塵封舊照片

「獅子山下」是香港人奮鬥精神的象徵,對於從新加坡移居香港的李福志而言,逆境自強的故事反而始於太平山頂。生前寂寂無聞的他,為香港五十年代的街頭面貌及鄉郊風情留下重要紀錄,若非攝影師及作家艾思滔(Edward Stokes)在山頂發現他的相片,他的故事或許至今仍不為人知。

1950年代中期,從馬己仙峽道俯瞰中環及維港。

無師自通 山頂為遊人拍照

生於新加坡的李福志是一名孤兒,從小已有自立的精神,1947年,二戰後的新加坡一片混亂,20歲的他懷着外出闖蕩的心態,搭輪船來到香港,投靠養父的外甥。這位表兄當時是照相館的合夥人,其弟弟也是一名攝影師。有次這位表兄帶李福志到太平山頂,眼見他為遊客拍攝的人像照片輕鬆賺取三元,等同當時一般勞工的日薪。李福志頓覺這不失為一條謀生之道,於是下定決心成為一名攝影師。

李福志教育水平不高,攝影也是無師自通,可他勝在勇於嘗試,拿着向表兄借來的舊蔡司相機,到山頂碰運氣搵食。舊器材雖然吃虧,但他很懂得挑選顧客,那裏經常有訪港的美國軍人和逃避內地戰亂來港的富有上海人,拍攝完紀念照後,翌日就將沖曬完的相片送往客人的居住地。當時正值國共內戰,大批難民湧入香港,1949年,港英政府以簽發身份證的形式登記人口,他因而獲得工作機會,為調景嶺的難民拍攝身份證照片,這次經歷也令他更堅定攝影的道路,之後他重回太平山頂,繼續為遊人拍照。另一邊廂,他也在香港成家立室,他和妻子帶着三個孩子,成為香港居民。

軒尼詩道與莊士敦道交界的中華循道公會禮拜堂是灣仔地標。

踏入1950年代中期,旅遊業成為香港重要的經濟支柱,然而隨着相機普及,遊客對旅行相片的需求減少,他改為拍攝香港熱門的景點,例如山頂俯瞰維港的景色、中式帆船、電車、人力車夫及新界圍村等,沖曬之後向遊客兜售,這個新出路曾為他帶來不錯收入,這些照片無形中也為1950年代的香港留下重要的視覺記憶。及後香港進行大規模填海工程,許多殖民地建築紛紛拆卸,李福志的照片彷彿封存1950年代的歲月時光。

隨着彩色相片慢慢流行,越來越少人買風景照片,加上攝影行業競爭激烈,有次李福志跟一位新來的攝影師發生爭執,更慘被毆打,厭惡這種環境的他,不得不另謀出路,無奈放棄攝影這門搵食工具,1960年代輾轉到粉嶺開士多為生。士多生意蒸蒸日上,他還擴充業務購入一架雪糕車,在上水鳳溪中學賣雪糕,擺檔逾二十年。其後轉行當看更,與攝影漸行漸遠。

人力車伕拉着藤籃及竹籮,這些藤籃通常用來載農作物到街市。

不見唯美光線 更見社會真實

故事若到此為止,這些照片也不可能為後世所知。回歸後,他意識到香港舊照片的珍貴,於是將塵封多年的底片曬成相片,2003年重返太平山頂,出售1950年代拍攝的香港照片。2010年,艾思滔在山頂遊玩時遇見兜售舊照片的李福志,覺得他的舊照片很有歷史價值,及後二人多次見面,並着手出版李福志攝影集《流光迅影香港情》。遺憾的是,李福志在2012年辭世,享年85歲,未能見證影集的誕生。

由艾思滔創辦的「歷史遺珍攝影基金會」,今年(2021年4月1日至5月30日)曾與信和集團在銅鑼灣信和廣場舉辦香港與新加坡雙城攝影作品展,展出「李福志鏡頭下的香港」等。最近,艾思滔在亞洲協會香港中心策劃大型展覽《Recovery, Resilience, Resurgence》,展出包括李福志在內三位攝影師(還有Hedda Morrison及Brian Brake)逾八十多幅在香港拍攝的照片,呈現出香港在1940至1970年代三十多年的蛻變。

當年尖沙咀兩大地標——半島酒店九廣鐵路火車總站。

回首當年,李福志拍攝的原意是為了謀生,這令他與當時的沙龍攝影愛好者與別不同,他並沒有閒情逸致慢慢研究光影,在寫實攝影不流行的年代,他拍攝的城市街景的照片不見唯美光線,反而卻更見真實,記錄當時的社會面貌。

 《Recovery, Resilience, Resurgence》

日期:2021年12月14日至2022年3月6日

時間:11am-6pm(星期二至六) 

地址:金鐘正義道9號亞洲協會香港中心   

相片由©️The Estate of Lee Fook Chee提供