法國攝影師Jean-Baptiste Millot的夢幻巴黎拱廊街

雖然巴黎拱廊街 (Passages couverts de Paris) 不及羅浮宮、凱旋門等地標廣為人知,但身處其中,就如穿越至19世紀的夢幻舊花都。法國攝影師Jean-Baptiste Millot以其朦朧而詩意的鏡頭,拍攝拱廊街的迷人細節,如泛黃的街燈、玻璃穹頂、美輪美奐的裝飾等,就如巴黎版的「繁花」。

生於1967年的Millot是一名出色的人像攝影師,曾為郎朗、坂本龍一等著名音樂家拍攝肖像。在《Les Passages Parisiens》這系列作品中,他同樣以細膩拍攝巴黎拱廊街的優雅面貌,藉著獨特光影及鏡面反射效果,以夢幻的色調呈現出拱廊街的動感與魅力。

Passage Saint-Bernard, 2014 © Jean-Baptiste Millot

拱廊街充滿歷史底蘊,在19世紀上半葉曾非常流行,高峰時曾有逾180條,後來因下半葉「巴黎改造」而大幅減少,至今僅剩下20多條,零散地座落在塞納河右岸。身處拱廊街就如置身時光隧道,結合新古典主義和新藝術(Art Nouveau)風格的建築物,自然光線透過玻璃穹頂輕灑在馬賽克地磚,加上其富麗堂皇的典雅裝飾,印證著那個美好年代(Belle Époque)。

PARISIAN PASSAGES by Jean-Baptiste Millot is an exquisite photography exhibition featuring the exquisite glass-covered shopping arcades that debuted in 19th-century Paris. These passages weaved gracefully through the bustling city, leaving a lasting imprint on its culture, art, and architecture. 

Steeped in history, the Parisian passages are a treasure trove of the past. Its architecture showcases a blend of neoclassical, Art Nouveau, and Belle Époque styles, exuding an air of elegance and sophistication of its time. Each passage boasts distinctive architectural traits, showcasing the craftsmanship and meticulousness of the era. 

穿越夢幻舊巴黎時光 法國攝影師Jean-Baptiste Millot鏡頭下的巴黎拱廊街

The passages offer a unique historical perspective, enclosed in covered walkways, adorned with mosaic floors, and bathed in enchanting light. The ornate decorations, rich historical significance, eclectic array of shops, and architectural diversity create a charming and poetic atmosphere. 

Millot skillfully captures the passages’ timeless allure, using light and mirrors to create a unique visual experience. 

Parisian Passages
Exhibition period: From 21 May 2024, 11am-7pm (Tuesday to Sunday)
Venue: f22 foto space, Shops BW11 & BW13, The Peninsula Hotel, Tsim Sha Tsui.

Images Credit to @f22 foto space

French+, A Group Exhibition featuring 11 French photographers and artists’ artworks

At the occasion of the French May Arts Festival 2023, Boogie Woogie Photography & PhotogStory are pleased to present “French+,” a group exhibition at the Loft in Wong Chuk Hang from 4th May to 3rd June 2023 together with the prestigious Kraemer Gallery from Paris presenting 18th-century French museum quality furniture and decorative art.

+ means more and extra, which also denotes infinite possibilities. French+ is not just about French art but also language, culture, and lifestyle. 

The exhibition comprises eleven French photographers and artists’ artworks. It is our first time exhibiting paintings with acclaimed Monaco-based expressionist painter Philippe Pastor. Using living matter, its transformation through time and immediate surroundings, combining soil, pigments, minerals, and plants of all kinds, Philippe Pastor represents his vision of life, environmental destruction, and Man’s involvement in society.

We are also happy to be representing Elsa Jeandedieu, Hong Kong-based muralist. On view is a personal tondo, inspired by the Mediterranean Sea, made of plaster and copper leaves.

Florence Levillain’s creative and humorous photos are eye-catching among the photography artworks. She takes the French expressions as inspirations and literally turns the metaphor phrases into pictures. This imaginative photography series aims to raise awareness of the lyricism and humor of French language metaphors. 

Additionally, French+ can be interpreted as a diverse photography style, like Sabine Weiss’s Dior dress, Willy Ronis’s Paris impression, Raymond Cauchetier’s Hong Kong journey, and Thierry Cohen’s surreal starry sky images, which represent the rich and unique French photography culture.

FRENCH+ 

Date: 4 May – 3 June 2023 

Time: 2-7pm (Wednesday – Saturday)

Address: The Loft, 8/F, E. Wah Factory Building, 

56-60 Wong Chuk Hang Road, Wong Chuk Hang. 

About Boogie Woogie Photography 

Boogie Woogie Photography is a company founded in Hong Kong in 2016 to promote photography in Asia. The mission is to act as a platform for galleries, collectors, companies, and photographers aiming to develop photography projects in Hong Kong and Asia. 

About PhotogStory

PhotogStory is an online Photography platform and Guest Curator based in Hong Kong. We focus on stories of local and international photographers, and stories behind classic photos.

 Thierry Cohen, Courtesy of Boogie Woogie Photography

Artists Profile

Bogdan Konopka (b. Poland, 1953-2019)

Born in Poland and an immigrant to Paris in 1989, Bogdan Konopka has been photographing cities he visits or lives in from Europe to China. His images are immediately recognizable whether the subjects are a fragment of nature or an interior space. Using large format or pinhole cameras, Konopka pays close attention to the quality of his photographs. His hand-made gelatin silver prints on chlorobromide paper are mostly contact prints, which have the same size as the original negative to achieve perfection. Konopka’s work was collected by Musée National d’Art Moderne and Centre Georges Pompidou, etc.

Elsa Jeandedieu (b. France,1983)

Hong Kong-based French muralist and visual artist Elsa Jeandedieu has been spreading her creative talents and bringing her beautiful, unique texture artworks and wall murals to spaces from Hong Kong, Shanghai, Paris, Italy, and beyond. Her inspiring energy and creativity have resulted in commissioned wall designs, artworks, and luxury art pieces for many high-profile clients, including CHANEL and Victoria’s Secret. Elsa moved to Hong Kong in 2008 and launched her eponymous atelier, Elsa Jeandedieu Studio, in 2015, where she now heads up a team of dedicated artists. 

Florence Levillain (b. France, 1970)

Florence Levillain began an independent career as a reportage photographer in 1994. She explores various territories ranging from the business world to the streets of the suburbs. She works for the press (Liberation, Le Monde, Paris Match, etc.) and carries out numerous reports abroad on social issues. She won the Kodak Prize in 1999 for reportage on women working at night in Rungis, a commune in the southern suburbs of Paris. Florence Levillain’s work has always focused on rediscovering the universes close to everyone but unknown or forgotten by many. Her new work, “au pied de la lettre,” is an unusual series of photographic works that aims to raise awareness of the lyricism and humor of French language metaphors.

Isabelle Boccon-Gibod (b. France, 1968)

Lives and works in Paris, Isabelle Boccon-Gibod was trained as Engineer in France (Ecole Centrale Paris) and the U.S. (Columbia University, NY). Her life has mixed art and industry throughout her career. Having first worked on collages and installations, she elected photography twenty years ago as her core medium. She attended the Photography School of Brussels, Belgium. Her work is project-based, photography offering the means to explore specific territories. She likes to employ ad-hoc techniques. Her work is collected by Centre Pompidou, Paris.

Jacques Henri Lartigue (b. France,1894-1986)

Known for dynamic photographs of car races and fashionable ladies, Lartigue made a decisive departure from the stiff formality that characterized early photography to capture joyful, carefree scenes of bourgeois leisure. Born into affluence, he documented the excitement of the final years of the Belle Epoque with a gimlet eye and photographed the wealthy vacationers on the French Riviera from the 1920s through the 1960s. Lartigue’s work was underappreciated until the Museum of Modern Art exhibited his photographs in 1963.

Patrice Bodenand (b. France,1958)

Born in France in 1958, Patrice Bodenand made his career in the textile industry, which gave him the opportunity to travel and the desire to discover other countries and cultures. He immigrated to Hong Kong in 2000, then to Mauritius Island and to China, in Qingdao, to return and finish his career in Hong Kong. “What is exciting in photography is to capture a precise moment to fix it in time, even without chronology, but just for memory, individual or shared.”

Philippe Pastor (b. Monaco, 1961)

Philippe Pastor was born in Monaco. He works between Monaco and Spain. Committed to the environment, Philippe Pastor has developed a personalized vision of nature through his work, translating Man’s interaction with the planet. Since 1990 his work has been recognized at Venice Biennale and has been shown around the world. He is the official artist of the Monaco Pavilion at the Universal Exposition EXPO Milano 2015.

Raymond Cauchetier (b. France, 1920-2021)

Raymond Cauchetier was the most famous photographer of the French New Wave. His first photographs were taken in his thirties while serving in the French Air Force press corps in Indochina. Cauchetier traveled through Hong Kong in 1954 and stayed for one week. He left a bouquet of memories, a little yellowed but always authentic. 

Sabine Weiss, Chez Dior, Paris, 1958 Courtesy of Boogie Woogie Photography

Sabine Weiss (b. Switzerland, 1924-2021)

Sabine Weiss decided to become a photographer when she was eighteen, during a time when being a photographer was not a common profession, especially for a woman. Sabine Weiss apprenticed under photographers Frédéric Boissonnas and Willy Maywald, and Vogue hired her as a photo reporter and fashion photographer in 1952. Robert Doisneau discovered her photography and asked her to join the humanist-leaning photo agency Rapho, allowing her to work and travel for many other publications such as Time, Life, Newsweek, and Paris-Match.

Thierry Cohen (b. France, 1963)

Thierry Cohen has been a professional photographer since 1985 and a pioneer in the use of digital techniques. He lives and works between Paris and Monségur, close to the Atlantic Coast. Since 2006, he has devoted most of his time to personal work. Thierry is interested in the impact of human activities, particularly on nature. His works are held in private and public collections and regularly exhibited in New York, Los Angeles, and Paris.

Willy Ronis (b. France, 1910-2009)

After selling his first photograph to the newspaper L’Humanité in 1935, Willy Ronis worked as a press photographer. Ronis always linked his personal experience to his work, which also developed and grew through contact with friends and family: portraits of Marie-Anne, his wife (including the famous Le Nu provençal), his son Vincent, his cats, his friends (Robert Capa) and personalities he met (Sartre, Brassaï, etc.) express the same poetics of the universal as the rest of his work.

攝影是我毒癮的救贖 Antoine d’Agata

大概沒有其他馬格蘭攝影通訊社(Magnum Photos)攝影師如法國人Antoine d’Agata一樣,是個癮君子,而且一吸毒就是四十年!Antoine的生活很狂野,經常與毒販妓女為伍,面對面交談時才發覺他是個很隨和、很真誠的人,只是不說話時顯得有點抑鬱。注射毒品多年,57歲的他坦言身體很差,但每日仍會抽兩包煙,一個多小時的訪問,他先後兩次到後樓梯抽煙,「抽煙令我感到很平靜。」其實攝影何嘗不是如此,30歲時他接觸了攝影,在失焦的人生中找到活下去的理由,攝影與毒品,同樣支撐著他的人生。毒品是種深深的癮,而攝影,就是這種癮的救贖。

Snapseed

救贖出現在他而立之年,但毒癮,早在他十多歲時已種下。成長在1960及1970年代,Antoine深受由法國哲學家Guy Debord創辦的左翼組織情境主義國際Situationist international)影響,這個組織提倡打破常規、解放自我,那時的他曾參與政治抗爭,十多歲離家出走,在街頭遊蕩,酒精、海洛因、性愛就是他的生活。說出來也難以置信,年少時他曾想成為一名牧師,分擔人們的苦難,沒想到陰差陽錯,自己成為了苦難。

「我曾與不同的社會邊緣人一起生活了十多年,在柬埔寨時跟一位愛滋病女人渡過一段時間,當生命即將完結、一無所有時,這些人最需要的是陪伴,而非同情或人道主義。」這聽起來很瘋狂,相比起牧師,Antoine以陪伴分擔了這些人最後的苦難。親眼目睹過許多死去的人,也令他明白死亡是避無可避的,「生命不是追求舒適,而是去體驗生活,感受好與壞,感受渴望與害怕。」多年後他抽著香煙重提往事,說這些事情令他感到自己是個有血有肉的人,哪管代價是大腦及身體都幾乎變壞了。

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©d'AGATA #035 P

攝影的力量

毒癮無法擺脫,但有救贖,只是三十歲前他與攝影一直無緣,對此亦毫無認識,啟發他前往紐約國際攝影中心International Center of Photography)學習攝影,源自一次與患有愛滋病的攝影師朋友的墨西哥之旅。「那是他生命中最後一趟旅程,我們相處了幾個月,旅途中他不停地拍攝,是攝影讓他感覺仍生存著。這讓我感受到攝影是如何給了他力量。」

從1983年離開法國周遊列國,前後十多年的流浪生活,經歷了常人一輩子也無法體驗的事情,當他拖著疲憊的身軀到紐約,尋找繼續生活下去的力量時,他想到了攝影,於是去紐約國際攝影中心求學。儘管姍姍來遲,可他豐富的人生經歷,卻讓他拿起相機後擁有常人缺乏的視野與感受。在那裡他遇上了Larry ClarkNan Goldin這兩位名師,「他們教我要真誠,要在乎拍攝時的感受。」在老師身上他也有所領悟,原來可以這樣來拍攝吸毒及性愛。   

在紐約期間,他曾在馬格蘭編輯部實習,1993年離開紐約後回到故鄉馬賽,期間也放下了攝影。「我其中一位女朋友為我生了兩位女兒,那四年我做過建築工人、調酒師等不同工作,賺錢養家、照顧孩子。」這樣的日子注定不會長久,當他1997年才重拾相機時,妓女、癮君子、露宿者、飽受戰爭蹂躪的人……不同國家的邊緣人,通通成為了攝影集De Mala Noche》(From Bad Night的意思)主角。畢竟,這才是真實的Antoine d’Agata

白天與黑夜的暴力

活在黑暗世界四十年,他自然把犯罪、吸毒、妓女這些主題搬入攝影,「我的作品分為兩種暴力,一種白天一種黑夜。」黑夜的暴力容易理解,其實就是他所經歷的生活,白天的暴力是從上到下的,關於移民、難民、偏遠地區的人,四月份他啟程去孟加拉,拍攝從緬甸逃亡的穆斯林(羅興亞人)。仔細想想,這何嘗不是暴力?「這系列是我攝影的一種平衡,如果只是拍攝night work,現在可能已經死了。」

性與暴力是Larry Clark為人所熟悉的元素,Antoine d’Agata橫空出世後,時常有人將二人相提並論。對Larry Clark來講,這種場面或許是一種紀錄,不過Antoine而言,攝影就是生活。在他看來,過程遠比照片本身更重要,所以他的作品充滿矇矓與動感,構圖也未必很完美——他在乎的是拍攝時的感受。有時他會把相機安放在三腳架上,用time lapse拍攝自己與女人做愛的過程。有時甚至直接把相機交付他人,由別人來拍攝。「我有時會感到迷失,相機令我持續去思考。」

©d'AGATA #034 P

攝影是傳染的媒介

Antoine有許多女朋友,與不同女友育有四個女兒,她們生活在不同的地方,自己也居無定所。他的瘋狂人生,女兒也有所聽聞,已離世的父親生前曾因此很難過,母親相對比較了解他,儘管不接受他吸毒的行為,心底裡仍覺得他是個好孩子。相比起他的作品,世人對他自身故事更有興趣,身為攝影師,我問他會否因此感到尷尬?「我明白大家的好奇心,我的攝影其實就是我的人生,就是關於我與拍攝對象的關係。」

最近,他在黃竹坑畫廊舉辦展覽《Contamination》,展出不同時期拍攝的三十幅彩色及黑白照片,算是一個階段的總結嗎?他直接否認,「不同的展覽可以令更多人思考及質疑攝影甚至是這個世界,我會形容自己的攝影是一種傳染(Contamination)的媒介,傳染大家認識這個世界的方法。」他說,過去這些年在世界各地做過逾150個工作坊,學生逾1500人,數十本書籍及大量的小型展覽,這些都是他的「傳染」。

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Antoine的作品被許多博物館收藏,但他從來不聲稱自己是藝術家,也抗拒主流的攝影方法。2004年加入馬格蘭攝影通訊社,人們對他的抗議聲音一直持續,他也一直身體力行與之對抗。「通訊社許多人以傳統的紀實方式拍攝,但我並不在乎這些所謂攝影的風格,我的作品只是展示了我對世界的理解。」既然道不同不相為謀,何不退出呢?「如果你要反抗這個制度,就要在制度裡發聲,在其他地方講,作用不大。當然Magnum有權力開除我,但我不介意,我只做我認為對的事情,也不太介意別人的讚賞與批評。 」

他再次強調,生命只有一次,很想去感受。訪問期間他不斷提起一句話「Too Much is Not Enough」,這是一名妓女跟他說的,「很多人說我的作品很dark,但這些人的生命比我更黑暗。 」

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Contamination

日期:即日至525日(免費入場)

開放時間:星期二至六1pm7pm(周一及公眾假期除外)

地址:香港仔黃竹坑44號盛德工業大廈8CHARBON art space

PS:作為今年法國文化節《法國五月》(Le French May)活動之一,展覽期間亦特別上演獨腳戲《Odysseia。文本取材自Antoine d’Agata,由法藉資深演員、戲劇教育工作者Fabrice Michel及法國女演員Julie Garance共同剖析攝影師作品的內心世界。《Odysseia將於510日每晚八時在展覽場地CHARBON上演,法語演出,附英文字幕。