「顯影」策劃麥烽個展《香港曾經是這樣的》——展出多幅1946至1980年代銀鹽相片

過去半世紀的香港可謂滄海桑田,我城的舊模樣,或能在老一輩攝影師的菲林裡尋覓。已故香港攝影師麥烽 (1918-2009) 早在1940年代中已開始拍攝,自此與攝影結緣逾半世紀,拍攝殖民地建築、街頭面貌及那些年香港人生活的點滴,令身處21世紀的我們得以重溫當年面貌。

1997年回歸前夕,麥烽出版攝影集《香港曾經是這樣的》,在其逝世15年後,「顯影」以此書為名策劃展覽,緬懷已故的攝影師,以及那個令人懷念的年代。

麥烽的拍攝內容相當廣泛,街頭建築、漁村風光及明星人像均有所涉獵,可謂記錄下二戰後香港社會面貌的方方面面。在展覽《香港曾經是這樣的》中,將展出多幅他在1946年至1980年代拍攝的黑白照片,包括舊郵政總局、香港會所大廈、聖佐治行等殖民地建築,也有香港仔舢舨、熱鬧的嘉咸街露天街市、大澳曬鹹魚、街頭小販等反映當時草根階層生活面貌的影像。這些照片在1990年代沖曬成銀鹽相片,可謂彌足珍貴,也是這次展覽的內容。

麥烽的貢獻除了其攝影造詣,他多年來不遺餘力地推廣攝影,更是令人敬佩,連著名攝影師鍾文略1950年代也曾在「香港華人文員協會」跟隨他學習攝影。麥烽與攝影刊物結緣大半生,1956年至1960年,他曾於《新中華畫報》副刊《攝影俱樂部》擔任編輯;1960年至1963年間在《攝影藝術》任職編輯。1964至1986年間,他先後擔任《攝影畫報》月刊的執行編輯及主編,及後至2003年是《攝影畫報》執行董事,多年來撰寫大量攝影文章及出版多本攝影相關書籍,影響一代又一代的攝影愛好者。

展覽現場將展出麥烽撰寫的多本著作,如《攝影術無師自通》等,也有1997年出版的同名攝影集《香港曾經是這樣的》及2010年出版的精裝英文版攝影集出售。

麥烽個展《香港曾經是這樣的》

日期:2024年12月7至21日

時間:2:30-7pm(星期三至五), 2:30-6pm(星期六及日)

地址:銅鑼灣告士打道223號海聯大廈9樓A室 Eastpro Gallery

麥烽攝影展講座

伴隨《香港曾經是這樣的》展覽舉行,「顯影」邀請麥烽先生兒媳、前《攝影畫報》主編伍小儀女士分享麥烽先生的生平與生活點滴。

時間:12月14日(六) 3pm-4pm

地點:銅鑼灣告士打道223號海聯大廈9樓A室 Eastpro Gallery

報名:https://www.eventbrite.hk/e/1097241120729

Hong Kong Once Was: 1946-1980s

Mak Fung Photo Exhibition

Hong Kong Photographer Mak Fung (1918-2009) began photographing in the mid-1940s and documented the city’s street views and grassroots for more than half a century.

Hong Kong Once Was: 1946-1980s, a tribute exhibition to Mak Fung, was inspired by his 1997 photo book. It is an exquisite collection of photographs of old Hong Kong taken by Mak Fung from 1946 to the 1990s.

Hong Kong was a small fishing village. In Mak Fung’s photos, images of sampans in Aberdeen and drying salted fishes in Tai O remind us of its past. As a colonial city, Hong Kong’s architecture, such as the third-generation General Post Office in Central and Hong Kong Club Building, is reminiscent of history. Mak Fung’s lens also captures the street scene of Hong Kong and the daily life of ordinary people, such as the Graham Street market and the peddler on the street.

The exhibition showcases over 20 silver gelatin prints made in the 1990s and Mak Fung’s publications.

Hong Kong Once Was: 1946-1980s

Mak Fung Photo Exhibition

Date: 7-21, Dec, 2024

Time: 2:30-7pm(Wed-Fri), 2:30-6pm(Weekends)

Venue: Eastpro Gallery, 9A, Hyde Centre, 223 Gloucester Road, Causeway Bay

PhotogStory co-curate Group Exhibition, MADE IN USA

Whether in the movies or in reality, the US has always fascinated visitors. The country has inspired generations of photographers, from Robert Frank in the 1950s to today’s young street photographers.

Boogie Woogie Photography & PhotogStory are pleased to present a group exhibition, MADE IN USA, which brings together the works of eight artists exploring this theme. The exhibition will be held at the Loft in Wong Chuk Hang from 30 November 2024 to 24 January 2025.

It is a journey that embraces the diverse voices that have defined America and envisions stories still waiting to be told:

New York is the City; everyone sees and feels it from their perspective. Japanese photographer Takeshi Shikama‘s platinum print of Central Park is meditative and elegant; New York in the 1950s under the lens of Swiss-French photographer Sabine Weiss is dynamic. Meanwhile, US photographer Louis Stettner, who spent 70 years photographing Manhattan, captured the full spectrum of color within its urban scenery.

In 2023, French photographer Harold de Puymorin embarked on an unforgettable photography trip across the Western USA, riding his Harley Davidson to explore the open roads of the American expanse. Through the endless deserts and flourishing mountains, Harold’s pictures show the diversity and richness of the United States and encourage those who dare to pursue their dreams.

Also in Western US, French photographer Isabelle Boccon-Gibod visited friends in Sun City Palm Forest, a residential community of 5,000 households with regulations so strict that she felt overwhelmed with anxiety. Only the instant film images of the sun and the road she embarked on during her subsequent journey could relieve her from such anguish.

Isabelle Boccon-Gibod

Hong Kong artist Reo Ma‘s motorbike installation echoes Harold de Puymorin’s road trip images. Vehicles symbolise speed and freedom but have also historically driven consumer culture forward, both in the US and elsewhere. Accompanying the motorbike are selected works from Reo, each representing his perceptions of our culture during his “road trip” of exploring the outer and inner worlds.

Meanwhile, Hong Kong artist Damon Tong used the “Made in China” stickers to collage the US flag. It can also be interpreted as a reflection of capitalism and consumerism in a broader sense.

US photographer Roger Ballen‘s staged photograph resonates with the exhibition’s titled theme. It portrays a constrained Superman who turns into a fragmented puppet. When Superman is no longer Superman, what becomes of the American dream?

Roger Ballen, Superman. All images Courtesy of Boogie Woogie Photography.

Boogie Woogie Photography is also pleased to present, with the prestigious Kraemer Gallery from Paris, 18th-century French museum-quality furniture and decorative art.

MADE IN USA 

Date: 30 November 2024 – 24 January 2025

Opening: 30 November, Saturday, 2-6 pm.

Venue: The Loft, 8/F, E. Wah Factory Building, 

56-60 Wong Chuk Hang Road, Wong Chuk Hang.

RSVP Viewing:  Vanessa.franklin@bewephoto.com / photogstory@gmail.com

About Boogie Woogie Photography 

Boogie Woogie Photography is a company founded in Hong Kong in 2016 to promote photography in Asia. The mission is to act as a platform for galleries, collectors, companies, and photographers aiming to develop photography projects in Hong Kong and Asia. 

About PhotogStory

PhotogStory is an online Photography platform and Guest Curator based in Hong Kong. We focus on stories of local and international photographers, and stories behind classic photos.

Artists Profile

Louis Stettner (USA, 1922-2016)

As one of the most celebrated photographers of the 20th century, Louis Stettner’s work included streetscapes, portraits, and images of New York, which he continued to photograph for seven decades. His work stands out in photography due to his ability to convey profound human emotions and everyday life with an understated yet powerful authenticity. Stettner’s work was collected by the V&A Museum in London, the Brooklyn Museum of Art, and the Museum of Modern Art in New York.

Sabine Weiss (Switzerland, 1924-2021) 

Sabine Weiss decided to become a photographer when she was eighteen, during a time when being a photographer was not a common profession, especially for a woman. She was apprenticed under photographers Frédéric Boissonnas and Willy Maywald, and Vogue hired her as a photo reporter and fashion photographer in 1952. Robert Doisneau discovered her photography and asked her to join the humanist-leaning photo agency Rapho, allowing her to work and travel for many other publications such as Time, Life, Newsweek, and Paris-Match.

Takeshi Shikama (Japan, 1948)

Takeshi Shikama’s life ambition is to capture the “invisible” world that lingers beyond the visible world of the trees. Each photograph is hand-printed by himself using the ancient platinum/palladium technique, considered the highest quality in black and white photographic printing. The Japanese Gampi paper on which he prints is a handmade UNESCO national treasure. It requires a great deal of time and manual labor, reflecting Shikama’s intimacy with his subject matter.

Roger Ballen (USA, 1950)

Roger Ballen’s photographs span over fifty years, and he is one of the most influential and important photographic artists of the 21st century. His strange and extreme works confront the viewer and challenge them to come with him on a journey into their minds as he explores the deeper recesses of his own. Roger Ballen is one of the artists representing South Africa at the Venice Biennale 2022 in Italy.


Isabelle Boccon-Gibod (France, 1968) 

Isabelle was trained as an Engineer at Ecole Centrale Paris and Columbia University. Her life has mixed art and industry throughout her career. Having first worked on collages and installations, she elected photography twenty years ago as her core medium. Her work is project-based, photography offering the means and the pretext to explore specific territories. She likes to employ ad-hoc techniques. Centre Pompidou in Paris collects her work.

Damon Tong, Flag 1, 2024

Damon Tong (Hong Kong, 1979)

Damon Tong received a Bachelor of Fine Art from the Royal Melbourne Institute of Technology University (co-presented with the Hong Kong Art School) in 2008 and a Master of Visual Arts from the Hong Kong Baptist University in 2013. His creations mainly revolve around mundane events in his daily life, creating sticker collages comprised of thousands of small stickers assembled into simple phrases or patterns. The work may seem banal initially, but its overly repetitive arrangement suggests an overtone. The bright colors and patterns of the stickers provide a visually stimulating experience, albeit the conceptual content of the work is deliberately straightforward.

Harold de Puymorin (France, 1982)

As a passionate adventurer, The Hong Kong-based French photographer Harold de Puymorin has lived and traveled in many different countries, including Myanmar, where his photography career began. With a keen eye for thought-provoking composition, his work is immersive and emotionally evocative, often arousing a deep sense of curiosity. Over the last 12 years, Harold has worked with brands such as Louis Vuitton and Dom Perignon. Besides commercial work, his photographic art was exhibited at numerous art fairs in Asia. 

Reo Ma (Hong Kong, 1992)

Reo Ma’s creativity has free rein in the myriad of mediums and materials he works with. With a background in fashion design, he has an affinity for hands-on production: he welds metal, moulds concrete and dismantles vehicles, all skills he taught himself. His sculptural objects thus take on a raw, unrefined visual quality that reflects the spontaneity and immediacy of his art-making. In 2021, Reo initiated War on Culture, a pseudonym that anyone can take on as long as they create works against the homogenisation of culture. In the fashion of guerrilla art, he has been putting up sculptural works since 2021 on the streets of Hong Kong, London, and Paris.

「顯影」策展:陳的 《柴灣消防局》十周年攝影展

今年是攝影師陳的( Chan Dick ) 代表作《柴灣消防局》完成創作十周年,香港攝影平台「顯影」為陳的策劃同名攝影展,展出多幅不同尺寸的《柴灣消防局》作品,現場也有從未曝光的打稿及簽名習作等。

「一切從巧遇和好奇開始。我在工作室六、七年了,本來廁所氣窗一直關閉,沒留意街外風景。直至一天,突然聽到有人叫囂,忍不住到窗邊看看。原來有消防員在打排球!工作室的窗正對著柴灣消防局,操場上的一舉一動,如集隊、抹車、小學生參觀、打排球等,通通一目了然,揭開我好奇窺探的一章。那天的初遇,我只拍一張隨性的照片,其後一個月,一張照片也沒拍,反而是好奇地觀看,但越看得多,那些畫面越靚,後來那些畫面連閉眼也會想起,我就不捨得不拍。一開始了,便停不了。」 ——攝影師陳的

2013年中至2014年尾,攝影師陳的幾乎每天都會在工作室的小窗口拍攝大廈對面的柴灣消防局,在15個月時間裡拍攝逾1,500張相片,記錄一段關於柴灣消防局的奇妙旅程。從高處觀望的場景相當有趣,有時可見消防員在噴水、清洗消防車,有時看見他們在練習步操、打排球,有時也見小學生來參觀消防局。這系列作品構圖簡單、充滿線條美感,畫面明亮而平靜。

《柴灣消防局》十周年版本,附有十幅印刷精美的《柴灣消防局》照片,ztoryhome展覽現場有售。

原本陳的並沒想過何時公開這些作品,後來業主加租無奈要搬走,離開工作室後他重看照片,才萌生出版攝影集的念頭。2015年,照片贏得香港攝影集比賽冠軍,首本《柴灣消防局》隨即在翌年面世,收錄40張單獨印製的照片。2017年,作品獲得日本出版社青睞,推出再版精裝版攝影集,同樣大獲好評。

今年是《柴灣消防局》十周年,陳的推出小尺寸的紀念版本,由他親手摺疊的封套模仿消防局的紅色拉閘,精美而盡現心思,裏面附有十幅印刷精美的《柴灣消防局》照片。該紀念版作品集在展覽現場有售。

《柴灣消防局》十周年攝影展
日期:2024年11月23日至12月8日
時間:星期三至日(11am-6pm)
開幕:2024年11月23日(星期六) 6pm-8pm
地址:ztoryhome 西營盤皇后大道西118號

《柴灣消防局》講座 (廣東話進行)
時間:2024年11月24日 3pm-4:30pm
主持:「顯影」創辦人劉東佩 |講者:攝影師陳的
地址:ztoryhome 西營盤皇后大道西118號
費用:120HKD (贈送一張從未出版過的「柴灣消防局」照片)
報名:可inbox @photogstory 報名,名額20個。

攝影師陳的 (Chan Dick),香港著名攝影師,攝影集包括《探 The Trek》、《I SEE 吾見》及代表作《柴灣消防局》,曾獲2016年東京國際攝影獎的專業藝術攝影集首獎,作品曾於日本及荷蘭展出,也被香港文化博物館和日本奈良美術館收藏。

顯影  PhotogStory
香港攝影平台「顯影」,從事攝影寫作,近年開始策劃攝影展覽,包括《工廈角落》、秦偉個展《異域狂歡──香港的南看台》,以及聯合策展邱良逝世25週年紀念展《百變香江》及攝影聯展《My Hong Kong 我城》等。

Chan Dick ”Chai Wan Fire Station“
10th Anniversary Photo Exhibition

2024 marks the 10th anniversary of Hong Kong photographer Chan Dick‘s iconic work, ”Chai Wan Fire Station.“ PhotogStory is pleased to present a special exhibition of this marvelous series.

It all began with curiosity. For over six years, Chan Dick had been in his studio with the ventilation window closed. The outside world had never piqued his interest until a sudden howl pierced the silence one day. Intrigued, he approached the window and saw firefighters enjoying a volleyball game.

His studio window overlooked Chai Wan Fire Station and offered a vantage view of assemblies, washing up fire engines, pupils’ visits, and volleyball games. That tiny window opened up a brand new chapter of a curious journey.

Initially, his gaze was drawn out of sheer curiosity, and he spent a month simply observing. The more he saw, the more he was captivated. Chan Dick dedicated 15 months to meticulously documenting the Fire Station‘s daily routine, sifting through 1,500 images to curate a collection of 40 that would become the photo book Chai Wan Fire Station.

「顯影」聯合策劃:Fine Art Asia特別展覽《昔日香港》

1950年代的香港是甚麼模樣?

若能時光倒流,你很可能會見到如此畫面:中式帆船在海上搖曳、掛滿書法招牌的街道、歐陸風格的建築物,還有中環街市的水磨石樓梯,在午後唯美光線下人來人往……

致力推廣攝影藝術的Boogie Woogie Photography與香港攝影平台「顯影 PhotogStory」攜手於Fine Art Asia呈現特別展覽《昔日香港》(Hong Kong Once Was),展出法國攝影師Raymond Cauchetier、香港攝影師何藩鍾文略於二戰後在我城拍攝的照片。

香港作家西西在小說《我城》裏寫道:「我喜歡這城市的天空/我喜歡這城市的海/我喜歡這城市的路」。同一座城市,在不同攝影師眼中,魅力可能不盡相同,而這正體現這座城市的多元。

鍾文略,西環海傍,人力車伕,1957年。

在何藩照片中,可見在海面晃蕩的小船;而鍾文略的鏡頭,則記錄當時草根階層的樸素生活,如人力車、街頭小販、倒掛金鉤的足球運動員,更難得拍攝下1959年菲臘親王訪港的珍貴畫面。另一邊廂,Raymond Cauchetier在成為法國新浪潮劇照攝影師之前,曾於1954年踏足香港,深深被小城的純樸民風及中西結合的風情所吸引,將當時的所見所聞定格在菲林裡。

過去半個世紀以來,香港發生翻天覆地的變化,書法招牌越見罕有、殖民時期的建築早已消失不見,唯有在舊照片中尋覓。《昔日香港》展出的不只是一幅幅懷舊影像,同樣藉著那些年這城的點點滴滴,呈現出香港人的堅韌精神。

昔日香港 @ Fine Art Asia 典亞藝博

時間:10月4日至7日

地址:灣仔會展中心1C展覽廳


Raymond Cauchetier, Hong Kong, 1954

Fine Art Asia Special Exhibition


Hong Kong Once Was

Bustling harbor lights,  

Junks sail through misty waters—  

Whispers of old days.

What did Hong Kong look like in the 1950s?

Step back in time to the vibrant streets of post-war Hong Kong. In this era, traditional values coexisted with the rapid changes brought about by economic growth.

Boogie Woogie Photography and PhotogStory are pleased to present an exclusive collection of photographs by Raymond Cauchetier, Fan Ho, and James Chung. Their pictures provide a unique opportunity to explore a city in transformation, showcasing the cultural fusion and daily lives of Hong Kong’s residents during this pivotal era. The resilience and ingenuity, as depicted in these images, laid the groundwork for the dynamic metropolis we know today.

These photographs are not just nostalgic images but vital testimonies of a golden era. Junks, colonial buildings, rickshaws, and signboards in Chinese characters—each picture tells a story of hope and vitality, reflecting people adapting to new realities while honoring their rich heritage.

The city has undergone tremendous changes over the past half-century. Many colonial buildings have vanished, and these images are increasingly rare. We invite you to embark on this magical journey through time, where every corner reveals a memory, and every photograph whispers the tales of a city in transition.

Hong Kong Once Was transcends a mere exhibition; it stands as a homage to the enduring spirit of Hong Kong and its people.

Hong Kong Once Was @ Fine Art Asia 

Date 4.10-7.10.2024 

Venue Hall 1C, HKCEC, Wan Chai

【展覽】入行40年攝影師黃永熹 捕捉80-90年代廣東歌巨星

Scroll down for English.
1987年,陳百強在DMI年代的《夢裡人》唱片封面,其黑白相片就是黃永熹在陳百強麥當勞道家中門前所拍攝;1991年,張國榮在《號外》雜誌反串花旦的封面照片,同樣出自他之手。還有1994年張學友《餓狼傳說》的唱片封套、1996年電影《金枝玉葉2》的梅艷芳劇照等,均是由他操刀拍攝。

黃永熹擅長拍攝人像及發掘每個人獨特的一面,「我不是控制欲強的人,不需要將鏡頭前的一切都設計成我喜歡的模樣,反而喜歡捕捉人的精神和情感。」

1979年,黃永熹(Sam Wong)在加州藝術中心設計學院 (ArtCenter College of Design)接受商業攝影訓練,1984年回港發展後,獲劉天蘭邀請首次操刀拍攝葉德嫻《千個太陽》唱片封面照,隨即奪得該年「最佳唱片封面獎」。之後他先後拍攝張國榮、張曼玉、梅艷芳、陳百強、陳奕迅等巨星,可謂見證廣東歌的黃金時代。

1987年,他參與成立香港專業攝影師公會,是香港首個專業攝影師團體。黃永熹的作品橫跨廣告、唱片封面、電影海報及雜誌等範疇,入行40年,他最近才舉辦首次攝影展,展覽從一句雙關語開始,《It’s about Time》既「關於時間」,也有「是時候了」的意思,藉此回望黃永熹過去拍攝的時、地、人。

展覽詳情

日期:2024年7月15日至9月15日

時間:9am-6pm (星期一至日)

地址:調景嶺(HKDI)香港知專設計學院C003展館

After honing his commercial photography skills at the ArtCenter College of Design in California, Sam Wong returned to Hong Kong in 1984 to embark on a photography career. He photographed Deanie Ip, Danny Chan, Anita Mui, Leslie Cheung, and Jacky Cheung’s album covers and witnessed the golden age of Cantopop.

Sam Wong’s photographic works span advertising, album covers, movie posters, and magazine shootings. In his 40-year career, Sam recently held his first photography exhibition, titled It’s About Time. The exhibition showcased numerous portraits, leaving an indelible mark on Cantopop culture.

香港早期照相館「華芳映相」 記錄1870至1890年代的香港

攝影術誕生後不久,19世紀中期香港開始出現影樓,若說當時最享負盛名的華人攝影師,黎芳是不得不提的名字,他是中國和香港的第一代華人攝影師,而他在1870年創辦的「華芳映相」,則是二戰前香港最著名的照相館。

喜歡收藏老照片的蕭險峰,用多年時間蒐羅舊香江照片,並在去年推出《芳影香江:華芳影樓的香港早期照片》一書,將塵封逾百年的華人攝影師故事娓娓道來,書中收錄多幅19世紀的香港照片,不但能一窺當時面貌,也為19世紀的香港攝影發展增添重要一筆,可謂彌足珍貴,部份作品正於「光影作坊」展覽《華芳映相:香港風物篇 (1870-1890s)》中展出。

黎芳(約1839-1890)是廣東佛山人,15歲時逃難來到香港,因他能講些許英文,曾在擔任外國攝影師學徒,慢慢學懂攝影技巧。1870年,他創辦「華芳映相」,由於當時顧客以外國人為主,他更聘用洋人攝影師他們拍照,這在當時實屬罕有。影樓不但為客人拍攝肖像,包括第七任港督堅尼地及第八任港督軒尼詩,黎芳本人更是一名風景及新聞攝影師,將風景照片製成明信片。

1899年落成的皇后行,相片約1902年拍攝,1960年拆卸後改建為文化東方酒店。

那時的攝影器材不發達,風景照片比起影樓人像,技術難度更高,對攝影充滿熱情的黎芳,曾在港澳記錄甲戌風災,是首位華人攝影師記錄災後情況,供本地及海外報紙製成板畫刊登。當時他經常把影樓業務交由下屬打理,自己則帶著一批玻璃底片,前往廣州、北京等地拍攝風景,他的照片更得到當時活躍於中國的蘇格蘭攝影師John Thomson的讚賞。

1890年,黎芳離世後,照相館由其兒子黎乙真繼承,1902年更被當時的華民政務司指定為拍攝官方證件相的影樓。1937年黎乙真逝世後,照相館由其妻子張圓明接管,而她在1948年往生後,「華芳映相」也結業。

《芳影香江:華芳影樓的香港早期照片》一書收錄華芳出品的香港蛋白照片逾三百張,配以拍攝年份及簡介文字,從維港景色到山頂別墅,從中環鐘樓東華醫院,一幅幅精美的昔日照片,是香港歷史的重要見證。  

華芳映相——1870-1890s香港風物篇:蕭險峰先生藏品展
展期:即日至6月30日 |地點:石硤尾JCCAC L202 光影作坊


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「顯影」創辦人劉東佩策展《工廈角落》

說起工廈,你會聯想起甚麼?是車房、五金舖,還是廠房、貨倉?抹去刻板印象,在工廈某些角落裡,還有古道具店、手繪瓷器廠,以及唯美靜謐的時刻。

《工廈角落》的靈感,源自展出場地——獨立藝術空間WURE AREA所在的寶隆中心,藉此延伸至九龍灣一帶的工業大廈。適逢那時無意中聽到本地樂隊KOLOR《工廠大廈》的歌詞:未關燈 / 工廠單位小小一角發光,於是以《工廈角落》作為名稱。

角落,不只對應展場空間的「三尖八角」,也指偏僻、不受注意的地方。雖然工廈大多位處城市角落,但卻曾見證香港製造業的繁盛與式微,如今也孕育出創意與美學、工藝與人情。

《工廈角落》邀來兩位本地攝影師拍攝工廈面貌,一內一外互相結合,以不同角度聚焦不一樣的工廈風景。這種內外對比的拍攝手法,靈感來自攝影師Greg Girard和建築師Ian Lambot合著的九龍城寨攝影集《City of Darkness Revisited》。

何逸捕捉建築物的外觀,在毫不起眼的大廈之中融入可愛兔仔圖案,藉著恍如捉迷藏般的觀看方式,提醒觀者關注平時輕易忽略的建築物細節。林曉敏則聚焦工廈的空間及置身其中的特色店舖,默默耕耘的小人物,秉承的是對傳統工藝、生活美學的態度,反映出工廈的活力與多元面貌。

《工廈角落》

日期:6月15日至30日  

時間:星期五至二(星期三四休息),下午1時至6時 

開幕:2024年6月15日(星期六)下午4時至6時  

地址:九龍灣宏照道11號寳隆中心B座7樓707室WURE AREA 

主辦單位:光影作坊  /「影像策展人培訓計劃」由香港藝術發展局資助 

參展攝影師——林曉敏

「香港遺美 Hong Kong Reminiscence」創辦人,透過攝影和文字記錄城巿變幻。著有《香港遺美——香港老店記錄》一書,舉辦過《明窗塵》(2023)及《粉麥登場》(2024)等攝影展覽。林曉敏喜歡尋幽探秘,以照片拾遺,記錄舊事物。透過鏡頭,將歷史轉化成回憶,留住留不住。

參展攝影師——何逸

何逸(Rabbit Ho) 寓攝影於寫作,攝影作品主要圍繞香港的城市景觀及人文風景,以及被遺忘的廢墟建築,曾舉辦《大隱若兔》展覽,並推出同名童話攝影集。
策展人——劉東佩

香港攝影平台「顯影」創辦人,從事攝影寫作,近年開始策劃攝影展覽,包括秦偉個展《異域狂歡──香港的南看台》,以及聯合策展邱良逝世25週年紀念展《百變香江》及攝影聯展《My Hong Kong 我城》等。

法國攝影師Jean-Baptiste Millot的夢幻巴黎拱廊街

雖然巴黎拱廊街 (Passages couverts de Paris) 不及羅浮宮、凱旋門等地標廣為人知,但身處其中,就如穿越至19世紀的夢幻舊花都。法國攝影師Jean-Baptiste Millot以其朦朧而詩意的鏡頭,拍攝拱廊街的迷人細節,如泛黃的街燈、玻璃穹頂、美輪美奐的裝飾等,就如巴黎版的「繁花」。

生於1967年的Millot是一名出色的人像攝影師,曾為郎朗、坂本龍一等著名音樂家拍攝肖像。在《Les Passages Parisiens》這系列作品中,他同樣以細膩拍攝巴黎拱廊街的優雅面貌,藉著獨特光影及鏡面反射效果,以夢幻的色調呈現出拱廊街的動感與魅力。

Passage Saint-Bernard, 2014 © Jean-Baptiste Millot

拱廊街充滿歷史底蘊,在19世紀上半葉曾非常流行,高峰時曾有逾180條,後來因下半葉「巴黎改造」而大幅減少,至今僅剩下20多條,零散地座落在塞納河右岸。身處拱廊街就如置身時光隧道,結合新古典主義和新藝術(Art Nouveau)風格的建築物,自然光線透過玻璃穹頂輕灑在馬賽克地磚,加上其富麗堂皇的典雅裝飾,印證著那個美好年代(Belle Époque)。

PARISIAN PASSAGES by Jean-Baptiste Millot is an exquisite photography exhibition featuring the exquisite glass-covered shopping arcades that debuted in 19th-century Paris. These passages weaved gracefully through the bustling city, leaving a lasting imprint on its culture, art, and architecture. 

Steeped in history, the Parisian passages are a treasure trove of the past. Its architecture showcases a blend of neoclassical, Art Nouveau, and Belle Époque styles, exuding an air of elegance and sophistication of its time. Each passage boasts distinctive architectural traits, showcasing the craftsmanship and meticulousness of the era. 

穿越夢幻舊巴黎時光 法國攝影師Jean-Baptiste Millot鏡頭下的巴黎拱廊街

The passages offer a unique historical perspective, enclosed in covered walkways, adorned with mosaic floors, and bathed in enchanting light. The ornate decorations, rich historical significance, eclectic array of shops, and architectural diversity create a charming and poetic atmosphere. 

Millot skillfully captures the passages’ timeless allure, using light and mirrors to create a unique visual experience. 

Parisian Passages
Exhibition period: From 21 May 2024, 11am-7pm (Tuesday to Sunday)
Venue: f22 foto space, Shops BW11 & BW13, The Peninsula Hotel, Tsim Sha Tsui.

Images Credit to @f22 foto space

【展覽】香港攝影師Laurence Lai  黑白銀鹽相片呈現巴黎魅力

「我覺得巴黎是攝影師一生人必去的城市,當地的建築、巴黎人的生活態度,那種文化底蘊十分吸引,令我更投入地拍攝。」鍾情攝影逾30年的香港攝影師Laurence Lai,如此回憶他對花都的印象。

早於1991年遊覽歐洲多國時,他已與巴黎匆匆相遇,對當地的人文風景與浪漫情懷心生嚮往,可惜當年只是走馬看花,印象早已模糊,然而自此卻在他心中埋下情迷巴黎的種子。這些年來,Laurence因工作關係曾數次踏足法國,但同樣只是來去匆匆,無法感受當地的文化氣息。疫情過後,許多人紛紛外出旅行,也令他萌生再訪法蘭西的念頭,於是在今年初用三星期時間漫遊浪漫之都,藉著菲林相機記錄每日的所見所聞。

每天早上天微亮,他帶著兩部相機遊走巴黎街頭,露天的小餐館、牽著小狗的途人、街頭畫家、在地鐵車廂閱讀的乘客、牆上的塗鴉等,一一定格在他的黑白菲林裡。Laurence也喜歡拍攝當地的建築物,雨天的凱旋門街景、途人在羅浮宮外快步流星,令人想起布列松1932年的名作《Behind the Gare Saint-Lazare》。最令人印象深刻的一幅巴黎鐵塔的照片,冬日的枯枝與地標巴黎鐵塔形成對比,恍如靜態版的電影畫面。攝影師刻意選用暖色調相紙,將菲林影像沖曬成黑白銀鹽相片,感覺就如上世紀的懷舊風景。

遊歷巴黎後,他深刻感受到巴黎人的生活態度,「香港人普遍工作壓力大,我們經常說work-life balance,但法國人卻是放慢腳步去享受生活。」身為攝影師,同時在中環碼頭經營攝影畫廊Laurence Lai Gallery,日常生活固然忙碌,因此這次巴黎之旅也令他感觸良多。

在上環展覽現場,Laurence不但展出多幅他親手在黑房沖曬的黑白銀鹽相片,呈現不一樣的巴黎城市風景,還展示35mm及120菲林的底片印樣(Contact Sheet),從中可見他的拍攝及思考過程,讓觀者更好地了解攝影師的想法。

Echoes of Space 黑 白 間

日期:即日至5月12日

時間:1pm-7pm(星期二至五) , 11am-7pm(周末)

地址:上環文咸東街79號文咸中心9樓902室Garome

Photographer Laurence Lai’s first visit to France was in 1991. It was a short stay, and his memories have become fuzzy. He always wanted to spend more time truly appreciating and immersing himself in the local culture. Finally, he embarked on his journey through Paris earlier this year.

Laurence wandered around some of Paris’s major landmarks and captured urban landscapes. He also photographed people and buildings on the streets. He noticed that the French have a great sense of style—men and women dress impeccably! Whether sitting in a café or public transportation commuters, they exuded a unique fashion culture. This city deeply captivated him!

He carefully selected some of his favorite works for this exhibition. The iconic Eiffel Tower, the historical Arc de Triomphe in the rain, and the snow-covered quaint streets are all black-and-white silver gelatin prints handmade in the darkroom. The warm-toned museum-grade cotton fiber paper emphasizes the historical context of the artwork and his emotions.

Echoes of Space 黑 白 間

Date: now till 12 May 2024

Time: 1pm-7pm(Tues-Fri) , 11am-7pm(Sat-Sun)

Site: Garome, 902, Bonham Centre, 79 Bonham Strand, Sheung Wan